Recently, I’ve come across some
Mets-related writing that knocked me out.
The first, entitled “Incongruous…Remarkable…Mets”
is a blog piece from Greg Prince at
Faith and Fear in Flushing, but it’s
the kind of writing that a periodical like Sports Illustrated
used to run back when it was worth subscribing to. There is much the
early Mets did wrong on the field, but the team has almost always tried
to be fair to every man on its roster based on his ability, not anything
else. That’s something that should count for a lot.
Second, Mets Yesterday & Today is a
solid pictorial history of the Mets. I don’t know author Bruce Herman,
but I do know Andy Fogel, whose incalculably valuable Metrabilia finally
gets it due for the world to see beyond his basement. I understand that
the new Mets museum houses some of his prized collection. I can wait to
see another edition of the Mets, honestly—a Mets team that can’t hit,
I’m used to; one that can’t pitch makes me feel ill—but I cannot wait to
see what a Mets museum at their actual stadium looks like. It’s only
been half a century or so.
Third, is the
Amazin’ Mets Annual. As you may have
heard, I help put out
another fine periodical. AAA is an
extremely solid effort. It was done on a volunteer basis by Eric Simon
and the folks at Amazin’ Avenue. They were nice enough to
review our periodical, as was
Never Forget ’69. If there’s room for
100-plus Mets blogs and enough Mets book to make my office floor a
hazard, there’s room for two top-notch preview magazines for the most
obsessive fan base in a two-team market. Mets fans deserve it.
Was there something else? Oh, yes. I
managed to catch the 1980 Mets Highlight Film on SNY. I’ve only managed
to catch a few of these. (Pssst, Mets. Put this and all your “Mets
Yearbooks” on a DVD, videotape, Blue Ray, or film strip and I’d buy not
only what you’re selling, but I’d even purchase whatever apparatus was
required to watch it.) Hearing Bob Murphy talk about the 1980 team again
is beyond any price. The fans back in ’80 speaking so passionately about
a 95-loss team that was a marked improvement over previous editions was
moving and inspiring. The magic wasn’t back, but thanks for trying. And
thanks for waiting.
My final selection in the Year of Reading
Dangerously was penned by one of the greats in Mets history (and
co-author John Strausbaugh almost sounds like a German version of the
star’s last name). Straw: Finding My Way explains why
he’s not in the Hall of Fame and why it’s taken 20 years for the most
productive hitter in club history to get into the Mets Hall of Fame (the
answer to that also lies in the team forgetting it had a Hall of Fame
for seven years or so). For 20 years, the only thing Darryl really
measured up to as Hall of Fame caliber was as a screw-up.
He came from a broken home and a father
who beat his mom, yet Darryl did the exact same thing. Darryl blew it.
Repeatedly. He wound up with nothing. The money, the second chances.
Gone. He lost count of how many times he failed rehab. The guy was even
getting loaded at the same time he was getting chemotherapy treatments.
The Mets got more out of him than anyone.
He’s the all-time Mets leader in homers, runs, RBIs, extra-base hits,
and almost everything else that once belonged to Ed Kranepool. Straw
paints the picture of how out-of-control he and many of the Mets were in
the 1980s. And while he was as bad as anyone, he did put up top notch
numbers…though we always expected more. He flat out stole money from the
Dodgers. Darryl got cut after failing a drug test with the Dodgers,
signed with the Giants, got his ex-cop brother a job in San Francisco to
essentially to keep an eye on him, and then both Strawberrys were fired
when, surprise, Darryl failed another test. He landed with the Yankees
and tested the patience of Steinbrenner, who treated him like a
long-lost son (Darryl is more loveable than Hal).
And in the end he finds himself while
finding God. There are way more references to God here than in Gary
Carter’s book, believe it or not, but after what Darrly did to
himself—and his family, friends, and even us fans—he finally found his
center with two forces that didn’t care that he was a baseball star: his
third wife and God. I have to admit, I was always a little tired of
Darryl as a Met and wasn’t disappointed to be rid of him after 1990. He
could have stayed in New York in 1991 if he’d taken less money and he
wishes he never left. After that, his body really started breaking down
from playing and partying every day. He became a full-on drug addict out
in his native Los Angeles. I was never surprised when I heard of
Darryl’s numerous relapses. Yet when Doc Gooden was caught for the
second time in 1994, I felt like my best friend had stolen my car and
sold my computer to go on a binge with the girl I always had a crush on.
Having grown up in the Mets dark ages, I
could not believe that in the great turnaround year of 1984, the Mets
had two players who could be the best at their positions in the major
leagues. In their early 20s, they were better than any Mets I’ve ever
seen save for Seaver and Piazza. And yet…they prove that this game is
played by humans for the entertainment of humans. We all screw up, we
all disappoint someone, but in the end it’s what we make of ourselves
that matters. I wasn’t a choirboy in the ’80s either—or, I suppose, much
of the ’90s—but I guess I was just another hypocrite who expected his
ballplayers to be perfect. In this case, I expected perfect partiers who
could stop themselves at 3 a.m. instead of 6, be at the ballpark ready
to play by the time I bought my first beer and made my way to my seat.
That these Mets fell short because of their hard partying is not news,
but it is still a little melancholy to think what might have been. Or
what might have been for me if I’d gotten that job in the city or at any
of the 100-plus newspapers I applied to (out of those, I worked at
four). But no one was watching me. We were all watching Darryl. Watching
him hit a ball clear out of sight.
I was at Shea when Straw got his first
major league hit in 1983, was there when he hit game-tying home runs off
Bob Knepper and Nolan Ryan, respectively, in a three-game span in the
’86 NLCS, and saw him break the club single-season record for homers
with two bombs on the last day of ’88. And I was listening on the car
radio on the way to Citi Field when I heard Darryl talking about his
father on Ed Randall’s Talking Baseball this past Father’s Day. Even
while planning to read every recent Mets book I could get my hands on
this year, I didn’t want to read his. But the man who told a million
lies when not on the field in New York, won me over with his sincerity
on the air. I asked for—and got—his book as a gift. The end of his story
isn’t written, and even he admits that. Unlike many recovering addicts
and alcoholics, Darryl can sign his name for a few hours and make a nice
payday without lifting anything heavier than a pen. He paid off his
massive debts this way. And he knows that he can’t live in places where
he’s easily tempted. No New York, L.A., or Florida; he’s failed in those
places so many times, he now stays with loved ones when he goes there.
That’s why he’s out in Missouri. But I’m glad he comes back to town to
work on SNY. It’s good to have him back. And I’ll be watching when he’s
inducted into the Mets Hall of Fame and try not to think of what might
have been. That won’t do anyone any good now.
Non-Mets Book Recommendation:
This last one is a tribute to a lost soul I came across inside a
red jacket—Holden Caulfield. This was
my first book assignment at a high school where I didn’t know anybody
and just wanted to get out. Holden showed me how not to do it. I
stuck it out and was glad for it. Author J.D. Salinger died early this
year, in seclusion in New Hampshire, leaving behind those who exist only
to criticize. He published just a handful of stories, thumbing his nose
at sequels, movie rights, all of it. He came from a time when an author
could write a single work of literary fiction and live handsomely off
the royalties forever (Harper Lee, author of To Kill a Mockingbird,
did the same, to a lesser degree). He sold a quarter of a million copies
per year for almost half a century. As Holden said in 1951—and
forever—“A little cabin somewhere with the dough I made and live there
for the rest of my life,” away from “any goddam stupid conversation with
anybody.”
Mets Relevance:
The Catcher Raised in Rye,
B.J. Surhoff was a Mets killer. The
Westchester County kid was much more likeable as a Brewers catcher and
Orioles outfielder than as a bastard Brave.
In my first year as a Mets fan, which
turned out to be my only year with a loveable, red-haired, RBI machine
in right field, I came up with my own musical tribute to Le Grand Orange
to the tune of “Meet the Mets”:
Rusty Staub, Rusty Staub,
Hitting homers is his job.
But picking All-Star teams of Mets is
apparently not.
This is a tricky review. Few and Chosen: Defining Mets Greatness Across Eras,
is Rutsy’s list of the five best all-time Mets at each position. I don’t
want to give the secrets away. Each selection includes an extensive
writeup with stats and plenty of unknown nuggets from Rusty (not to
mention Phil Pepe, who you may recall also co-wrote our last review,
Gary Carter’s Still A Kid at Heart and has written Few and Chosen
for the Red Sox, Cubs, Cardinals, Dodgers, Giants, Negro Leagues, and,
ugh, Yankees).
So what do I say here if I don’t want to give away
all the choices? I dug up my own such list from Triumph, Mets Essential, which according to
some paperwork I got this week is still selling a handful of copies per
month somewhere (thank you) despite ending with the sky is falling
because Carlos Beltran hath struck out. Imagine the horror show moment
in the middle of the night, as the bleary-eyed, past-deadline, pained
and exhausted Mets me of three-plus years ago, types away on
Essentials, and is startled to find a decked in white
Sebastian Cabot specter
whispering—“This is as good as it will get for your Mets, Mr. Valentine.
Mr. Ellis Valentine. Hahahahahahahahahaha…”
Scary stuff indeed. Fortunately, Ellis
Valentine didn’t make Rusty’s top five—but Bobby Bonilla did.
NNNNNNNNNNNNNNNNOOOOOOOOOOOOOOOOOOO!!!!!! There are a few other head
scratchers as well as Rusty rates ‘em five deep at each position. So
I’ve created a parlor game to compare Rusty’s list to mine in Mets
Essential. Given that mine is a pretty traditional and, of course,
wise list, that should give some hint as to might have placed first in
each position on Rusty’s list. I’ll go first.
1B—Same as mine (hint: he also wrote
Rusty’s foreword)
2B—Different
SS—Different
3B—Same
LF—Same
CF—Different
RF—Same
C—Same
RHP—Same
LHP—Same
Closer—Different
Manager—Same
Now comes the inquisition. Rusty makes a
couple of baffling choices, including bypassing his former teammate as
best closer: Tug McGraw. I consider Tug the best Mets reliever ever. No
doubt. I take most of those saves the later closers have and dump them
in the recycle bin because the conversion rate of a John Franco save to
a Tug McGraw save is Pi (3.14). As an example of his give me the ball
and leave me in ability, consider this: Tug McGraw pitched six innings
of relief for the Mets in a World Series game. And got the win. His five
games in the 1973 World Series covered 13.2 innings, or more than Jesse
Orosco and Roger McDowell combined (13 IP) in the 1986 Series. Orosco
deserves honorable mention for closer, and I’ll take McDowell, too (they
also make Rusty’s list). Everyone else, keep your bullpen jackets on.
Up the middle, we’re in complete
disagreement. At second base he picked an All-Star but the problem is
this guy played one full season as a Met—he was acquired and traded in
the middle of seasons and two strike years don’t a full season make. His
only 162 schedule season he put up decent numbers for a 103-loss team.
Bet you Kent guess who it is.
His shortstop had a Mets slugging
percentage that was 23 points lower than Rey Ordonez’s! Hey, we’re
comparing different eras and all, Bud when I put together my list after
the 2006 season, Jose Reyes was so far beyond any other Mets shortstop
that I picked Howard Johnson as the backup infielder on my 25-Met
all-time roster (along with Ron Hunt, giving the early 1960s Mets a
little love). Rusty’s center fielder was already mentioned in this piece
and he wasn’t on my team because in 2006 he hadn’t been a Met long
enough. I’d have him on my team now, but I’d be booking the knee
operations for him.
Rusty has some very good stories I’d never
heard in this book. And he’s modest enough to take himself out of the
running for best right fielder. It’s Strawberry hands down, anyway, but
that’s a classy move by Le Grand Orange. Pepe, who covered Rusty in New
York, gives readers a rundown on how good his co-author was. And Rusty
was extremely good. Especially for a Mets hitter in the 1970s. In
December 1975—after just one season of my worshipping him from my
Channel 9 altar (he’d come to the Mets from Montreal in 1972)—Rusty was
sent to Detroit for a big-time southpaw who was by then just big. The
Mickey Lolich of 1976 did not inspire song.
Rusty’s book of all-time Mets might
inspire outrage in some readers, so be careful. But I’m giving Rusty the
benefit of the doubt. Rusty earned his way onto my all-time Mets roster
for his production in right field in the 1970s and his legendary
off-the-bench bat in the 1980s. His book’s worth a swing or two as well.
My most
distant memory of watching my first Mets night game on TV came from the
high-pitched PA announcer at Jarry Park:
“The
catcher…Number 8…Gar-ee Car-tar…”
This
pronouncement, of course, came moments after the PA man had said the
exact same thing in French.
As my disinterested brothers tried to relax after
spending all day working, my 10-year-old self followed behind like
Columbo, peppering them with questions,
“Now let me get this straight…not only is my team playing a game in
another country, but they’re speaking French there? Are all the Expos
Canadian? Does the game follow the same rules up there?” A definitive
and stereophonic, “I don’t know!” followed perhaps the ninth such
question. I went back in front of WOR where Lindsey, Bob, and Ralph
filled in what I needed to know…on Quebecois baseball and all other
matters.
I kind of
thought Still a Kid at Heart, Gary Carter’s 2008 autobiography
with former Daily News columnist Phil Pepe would fill me in on
some of the questions about Montreal baseball that I’d never gotten
answers to. Well, the book told the story of Carter’s growing up in
California, getting drafted by the Expos, being converted to catcher,
coming up to the majors at age 20, and actually spending gobs of time in
the outfield because of a schlub named Barry Foote. Carter finally got
to catch full time when manager Dick Williams got to Montreal and said,
“You’ve got to be kidding me!” Foote soon began his odyssey in the
backup catcher’s union with a trade to Philadelphia and Carter became a
full-fledged star. He immediately became the second-best catcher in the
league next to Johnny Bench; when Bench’s days as an everyday backstop
ended c. 1980, Carter immediately became the class of the field.
Carter won
three straight Gold Glove Awards before the voters fell in love with
Tony Pena’s catching-while-doing-a-split-technique and starting handing
the award to him. Yet as far as best all-around catcher in the NL in the
1980s, there was no question it was Carter. He even starred in games
that didn’t count—winning MVP of two All-Star Games as an Expo—and
homering twice in Cleveland in the only Sunday night in August All-Star
Game. That Late Summer Classic kicked off baseball’s “second half,” a
Cracker Jack prize of an idea (that means it was cheap, plastic, and
should have been thrown under your seat). I thought a split-season was a
stupid idea then and it sounds even dumber writing about it now. But
that convoluted season did help the Expos finally reach the playoffs.
The Expos of
that era made the Mets gaggers of the recent past look cool under
late-season pressure. Montreal finished second by two games in 1979 and
one game in 1980 to clubs that wound up as world champions. The Expos
won the ’81 second-half title by a half game over the Cardinals, who had
the best record in the division for the season and didn’t qualify for
the expanded postseason round-robin tournament (the same thing happened
to the Reds in the NL West). The Expos clinched their only postseason
appearance at Shea Stadium, the same place where they began and ended
their existence.
All this
would have been great to hear more about from a key participant, but
there’s only about 30 pages in the book on everything that happened up
until he got to the Mets. I did learn about such things as the
since-revoked tax laws that required him to live in Montreal, and his
efforts to speak French (he even uttered a couple of sentences in French
during his 2003 induction speech as the first Expo in Cooperstown—to be
joined this summer by Andre Dawson; hope he’s boning up on his
Français). Carter had hoped to spend his whole career in Montreal
and signed a seven-year contract at the early 1980s for $14 mil (that’s
US dollars and that’s the total sum). The club instead made Carter the
first in a depressingly long line of Expos home-grown stars traded away.
If you want insights on Montreal’s run to the abyss, I’d suggest
http://www.youtube.com/watch?v=NSyCu5b_UYs.
Fellow Mets fanatic/closet Expos lamenter
Greg
Prince turned me on to the panel
discussion about WTF happened to les Expos.
That MLB let that franchise whither and die while
Bud Selig’s Brewers were permitted to switch leagues in order to line
his stadium with Cubs fans’ money several times per summer and the
Diamondbacks were brought in as an NL franchise when they should have
been a frigging AL team is one of many reasons I’m storing up ice balls
to put in a cooler and hurl at the head of the
Bud Selig statue that is being erected
in Milwaukee this summer. A bronze relief of Milwaukeean
Leather Tuscadero would be more
appropriate.
Obviously,
don’t get me started on how MLB screwed the pooch on Montreal ball. But
I thought the man who was once the face of the Expos might have strong
feelings on it. Maybe he will for his third biography. (He wrote A
Dream Season in 1987 with John Hough Jr.) It’s pretty obvious Carter
treads light because he spends a good part of the latter portion of the
book lobbying for a managing job. He does toss in a nice Tony Bernazard
story about when, as a manager in the Mets minor leagues, Carter was
told to go to Binghamton, while the Hall of Famer and Florida resident
preferred to stay at St. Lucie. Tactful Tony told him it was Bingo or
No-go. Kid then managed in independent ball in his native California.
While promoting this book, Carter made his fateful comments about
wanting Willie Randolph’s job while Willie still had it. Jerry Manuel,
Carter’s former Expos teammate, had one less contender for the job after
that.
Now listen, I enjoyed reading the book. It was a
quick read and I got some pleasure out of reliving the heroics of 1986.
I met Gary Carter at a New Jersey event
Jon Springer
and I were working and Kid signed a book for me. I even gave him a copy
of 100 Things Mets Fans Should Know and Do Before They Die. He
really is a nice man—and said he couldn’t wait to read my book (it only
took me 22 months to read his). He’d want me to give my honest view. And
here it is: If you want to relive a little of the ’86 magic now that the
Mets seem as likely to finish fourth as they are to wind up first, this
book will do the trick.
Carter kept
the God references in check, which surprised me. His mom died of
leukemia when he was 12. Enduring that as a preteen had to be harder
than the thousands of balls he took off his body in nearly two decades
behind the plate in the majors. It was easy to knock Carter in the ’80s
as a goody-good when the Mets were filled with bad guys and hard
partiers in a bad-guy, hard-partying era, but at the end of the day, the
choir boy started the Game 6 rally for the ages and he’s the only ’86
Met in the Hall of Fame. And he belongs. If I had my way, I toss out
about a third of the plaques in Cooperstown, but Carter is clean—both
record and soul. If you want your son to grow up to be a ballplayer,
Carter is one you’d want him to emulate. Kid you not.
Non-Mets Book Recommendation: Given Gary
Carter’s spirituality, I go with Thomas Wolfe’s Look Homeward, Angel. So as not to
confuse anyone, the title is more spiritual than the content, but this
is a book in which the way things are written far surpasses any action
in the book—and it is far from dull. I have to admit, though, I was
actually more taken with Wolfe’s subsequent novel, You Can’t Go Home Again, about the
way people in his North Carolina hometown picked apart the young writer
for his coming of age novel Look Homeward, Angel. (The angel in
the title refers to the father of the main character, whose powerful
craving for drink overshadows his almost divine ability to carve
seemingly perfect angels on headstones.) But maybe You Can’t Go Home
Again speaks more to what happened in Carter’s attempt to work his
way through the ranks as a manager with the club he helped make into a
champion long, long ago.
Mets
Relevance: Like Kid Carter, Thomas Wolfe was a no doubt Hall of
Famer who did just fine without the approval of those he once treasured.
I have to admit, for my year of reading
dangerously, I read most of the good Mets books early. I needed some
stories I hadn’t heard 20 times, so I added the Red Sox and Cubs’
interesting—if not star-crossed—histories to the list. I wanted
something a little closer to home and nothing can touch the blood feud
the Giants and Dodgers shared in New York. While there are fierce
baseball rivalries today—including the Red Sox-Yankees, Cubs-Cardinals,
and the California version of Giants-Dodgers, they pale in comparison to
two teams located a few miles apart playing 22 times per year in an era
when interest in the game was at its peak. I owed it myself and you,
dear reader, to look into this a little deeper.
The Echoing Green,
the title borrowed from William Blake’s 18th century poem, is the story
of the Giants’ sign-stealing during the fateful 1951 pennant race and,
to my surprise, in their championship year of 1954 as well. (They did
not try their flim flam in either World Series.) As long as there have
been signs, there’s been someone trying to steal them from the coaching
box, the dugout, and while dancing off second base. While those have
always been accepted cheating practices, “the book” dictates some things
are fine and others aren’t—spitballing, OK; loading up on speed or
greenies, OK; injecting yourself with testosterone, human growth
hormone, women’s fertility drugs, or a myriad of other substances that
wouldn’t pass an Olympic Drug Test, is bad; and using high-powered
telescopes and electronic signaling devices to instantly relay which
pitch is coming, is bad, too.
Bobby Thomson’s home run into the lower
deck at the Polo Grounds in the ninth inning on October 3, 1951 is still
considered by some to be the landmark moment in New York sports. The man
who surrendered that home run, Ralph Branca, has carried around not just
the brunt of this defeat for close to six decades, he also knew for most
of that time that the Giants had used mechanical means to steal his
signs. And he said little about it. Branca, renowned as a goat for most
of his adult life, comes out as the hero in Joshua Prager’s incredibly
researched—and occasionally overly detailed—book on the pennant-deciding
game and its decades long aftermath (the paperback version came out in
2008). But I always knew Ralph Branca was a hero.
The Brancas lived in my hometown of White
Plains and are still close with my family. When eldest daughter, Patti
Branca, was first tormented by a classmate about the home run at Our
Lady of Sorrows School in 1960, my sister was in the classroom down the
hall. My first ticket to Shea Stadium—for 1975 Yankees Old-Timers Day
(one of the last in which the pitcher would serve as Thomson’s
gopherballing stooge)—came courtesy of the Brancas. My first spring
training was at their behest in 1979; inviting my parents and me to Vero
Beach for the opening of Dodgers camp, where I got a fake punch in the
belly from Terry Forster, was informed I shook hands “like a dead fish”
by Tommy Lasorda, and played catch with Steve Garvey. True to my Mets
and myself, I maintained my hatred of the Dodgers even after their
extreme courtesy. I still hate those Brooklyn-abandoning bums (not the
affectionate use of that term) as much as any team not named the
Yankees. But they were screwed out of the ’51 pennant.
Prager, whose 2001 Wall Street Journal
article once and for all blew the whistle on the clandestine
sign-stealing rumors, painstakingly recreates the Polo Grounds as if
he’d just come from it on the banks of the Harlem River. The room he
spends the most time in, however, is Giants manager Leo Durocher’s
office, located above dead center field in the Polo Grounds with a
perfect view of home plate. Well, perfect if you’re holding a Wollensak
telescope. Three nondescript ballplayers: Herman Franks, Hank Schenz,
and Sal Yvars, the latter a Westchester County chum of Branca’s, did
most of the sign-stealing. Durocher, upon learning of Schenz’s
scoreboard spying at Wrigley Field, asked his Giants, 13 games out at
one point: “Who wants the signs?” Monte Irvin said no. Durocher stopped
asking and started making arrangements for Abraham Chadwick, Dodgers fan
and union electrician of the Polo Grounds, to install a simple buzzer
system from Durocher’s office to the bullpen, where Yvars relayed the
signs to the batter. In an eight-team league with pitchers tossing a
limited assortment of pitches, it wasn’t hard for Herman Franks to get
the hang of the system and move from third base coaching box to a more
valuable perch.
And that’s where I’ll leave you. It is a
fine book that tells the complete tale of perhaps baseball’s greatest
secret. Many—but not all—of the participants kept mum for decades.
Franks, later a manager of the Giants and Cubs, took his role to the
grave a year ago. Thomson often denied it until old age and guilt
finally got him to tell Prager his version. Thomson comes off as a
well-meaning, hard-working guy, who succeeded after his career as a
paper bag salesman, just as Branca did in insurance. They both did
extremely well by showing up for events as the memorabilia boom grew and
grew. And in the end, if Thomson knew what was coming, he still had to
hit it. And hit it he did. Around the world.
I feel a little guilty myself for bringing up my
relationship with Ralph Branca. I told a friend at Camp Pelican in 1976
of how I knew the Brancas and before you knew it he was inviting himself
over and we were in the Branca foyer with a couple of baseballs to
present for signature. Though neither Ralph nor Ann Branca minded and
she and my mother spent a half hour talking in the kitchen while we
listened to stories of the grand old game, I felt like I had broken some
great secret. It’s perhaps somewhat fitting then that Topper later
ripped the cover completely off my signed ball. (Yes, my dog ate it.)
I’ve run into Ralph Branca at baseball events we both worked, plus an
unforgettable day when my dad gave me a ticket to play in the Baseball
Assistance Team golf outing (Ralph was BAT president). But I never asked
for another autographed ball or even an on-record interview. When a
minor Daily News story mentioned a Mets by the Numbers event in 2008,
I got a surprise call the next day from Ralph Branca asking how it went,
wishing me well, and saying he was proud of my accomplishments.
I knew he was a hero long before I ever
knew about any telescope.
Non-Mets Book Recommendation:
Jeff Pearlman is another expert researcher, storyteller, and
deconstructor of sports myths—even if he dwells on the more salacious
exploits. The author of 1986 Mets myth-buster The Bad Guys Won
takes down a team in dire need of humbling, the 1990s Dallas Cowboys.
The Cowboys are the reason I’m an Arizona Cardinals fan. A
Cowboys-Cardinals game was on the set—a rare break from the normal
double helping of Giants or Jets snoozefests in the mid-1970s—and while
I didn’t know enough about football to have a favorite team, I knew from
the one previous football game I watched, Super Bowl X, that I disliked
Dallas. When the Cards beat them, I was on the board for the worst
football bandwagon in history. Boys Will Be Boys detonates the
overcrowded “America’s Team” bandwagon. After the heavy-handed firing of
Tom Landry, the only coach in club history, jackass Jimmy Johnson built
the Cowboys up from nothing—in spite of jerkoff Jerry Jones. Dallas won
two straight Super Bowls, something even Landry couldn’t do and
something only Lombardi, Shula, and Noll had done previously. (It helped
that the ’90s Cowboys faced a very weak AFC and would have rolled San
Diego if they’d avoided one bad quarter against the 49ers in the 1994
NFC title game. Oh well.) During the reigns of Johnson and bumbling
Barry Switzer, the Cowboys did so much boozing, snorting, smoking,
stripclubbing, and whoring, it’s remarkable they even woke up on
Sundays, much less won. For all Cowboys haters—and even Cowboys fans who
like a good debauch tale or a thousand—this is entertaining and, better
yet, true. Going another 12 years without a playoff win wouldn’t be
retribution enough.
Mets Relevance:
You know you wish there were these kinds of stories about the Yankees.
Well, there’s always A-Clod.
One day after a 1976 whirlwind eight-hour trip to
the Baseball Hall of Fame—and getting my first glimpse of a shop that
sold every item imaginable from every major league team—my father took
me to dinner to an Italian restaurant in Silver Lake, five minutes from
our house. He dragged me away from the TV, where the Giants would beat
the brand-new, cool-helmeted
Seahawks (Tampa Bay, an AFC in ’76
only, would lose every game and make Seattle look a brilliant expansion
franchise). My dad and I left for what I didn’t know was a “big talk” at
Casserella’s. I remember I was eating salad when he announced his “big
plan” for me. I know it was salad because I kept looking at the orange
French dressing, unable to look up after he said, “I think you should go
to the Ted Williams Baseball Camp this summer.”
I suppose that during the long ride in the
car up the windy roads to Cooperstown I had let on that I indeed wanted
to play baseball, if not professionally, at least well. And having
watched my first two years ever playing the game, well, I was just
terrible. My first year I struck out every time up—save for one glorious
walk—and was hit in the mouth with one of the few balls hit to me in
right field. Year two, I choked up like
Felix Millan
so as to make contact—and did! A swinging bunt on a frozen April day got
me my first ever hit—they did not stop the game to present the
ball to my dad—and then the rest of the year I defied Felix the Cat’s
guaranteed contact technique by striking out my other eight times up
(plus a couple of walks). My fielding was timid, at best. I needed help
and my dad didn’t have the large time commitment required to turn me
into an even passable player. And he firmly believed that if you want to
learn to do something, you take lessons from a pro. I generally eschewed
directions and tried to figure things out as I went. Still do.
Between dinner in Silver Lake and the eve of my
departure, I actually got better at the game. I practiced every day and
played in a very competitive softball league in a sixth-grade class that
had enough kids to draft four teams (I was taken, alas, by the Yankees,
but I was a mid-level pick and played second base). The day before I
left for Massachusetts, we got a call from a classmate’s mom that my gym
teacher, Mr. Castallano, who’d helped my confidence and my ballplaying,
had died in a river rafting trip. I’d never known anyone under 30 who’d
died before, though I recalled the death a few months earlier of
29-year-old Bob Moose, hurler of a no-hitter vs. the ’69 Mets (pp.
355-56 of The Miracle Has Landed; ironically,
the story is written by my first baseman on the sixth-grade Iona
Yankees,
Bruce Markusen).
I was stunned. I now feared about both the end of
my own life and leaving home for the first time. I was 12. And being 12,
I soothed myself the only way I knew: by watching the Mets. This Seaver-less
collection of bastards and castoffs of 1977, a team who would be mocked
by a camp full of Red Sox and Yankees fans, was all that was keeping me
going. The innings clicked on in this tie game: 14th, 15th, 16th,
letting myself get wrapped in the tepid tenseness on TV, knowing it
would be the last Mets game I would see for at least three weeks. And
then finally, in the 17th inning, Lenny Randle homered. The Mets won.
Paul Seibert, one the nameless crew acquired in the Midnight Massacre of
less than a month earlier, was on base for the homer and got
his first Mets win. As Ray Liotta said
in Goodfellas: “Now take me to jail.”
I did not swallow any painkiller sans
water like in the Scorcese film, but I’d have probably tried some if
offered. When my dad drove me into the city that Sunday to step onto the
bus for the long ride to Lakeville, it sure felt like prison to me. It
needn’t have.
I learned a lot about baseball and about what life
is like when 40 kids are in one large dorm room and Mom isn’t there to
make beds and Dad isn’t around to try to give you perspective on things
you have no clue about. I hit a baseball over someone’s head for the
first time (a shortstop’s), pitched off a mound for the first time
(sidearm, like
Gene Garber), and I got spiked for the
first time in my first All-Star Game (there were a lot of these—so
forget the instant transformation movie angle). I actually went back two
more times, and asked Ted Williams a question. (“Mr. Williams, who do
you think are the best players in baseball today?” “Well, I don’t follow
the game like I used to, but I’d say George Foster and Greg Luzinski.”
Um, all right.) And in the summer of 1980 a bespectacled coach, whose
name I’ve long forgotten, took me aside in the batting cage and gave me
sorely-needed advice after I’d just gotten my first set of glasses (the
result of season unable to hit with authority or read with clarity the
blackboard as a high school freshman). The TWC coach told me, “You
either wear glasses all the time or you spend your life looking for
them.”
Indeed when I went to college three years
later, the one thing I held in my favor as a calm yet petrified college
freshman, who’d played high school baseball—thank you, Ted—was that six
years earlier I’d gotten on that bus to Lakeville. How hard could this
be? Turns out it wasn’t so bad, either.
Sooooooooooooooooooooo…what does all this have to do with Ted Williams : The Biography of an American Hero?
This interminable back story is the alternate beginning to this piece.
“I’ve loved Ted Williams for more than 30 years.” Now you know why. I
later edited his final autobiography, Ted Williams: My Life in Pictures
and helped choose, locate, and lay out (with designer
Todd Radom)
the book’s photos in 2001. And if my dad, who never would have gone to
Shea if not for my incessant prodding, trusted Ted Williams with his
youngest child—after
spotting the camp’s ad in a Mets scorecard—then what’s not to
love about The Splendid Splinter? And Ted Williams sure could play.
It’s a tall task to write about baseball’s
version of John Wayne, but Leigh Montville swings back with his own
swagger. Armed with more than 400 interviews, he eschews the “and then
in the seventh inning” approach. He rather tells us about the man and
sets the scene for what happened the night before he went 6 for 8 to hit
.406, his All-Star walkoff homer in Detroit, and adding new insights to
the already well-documented HR in final AB legend. It covers the
cussing, the fishing, the generosity, the naivety, the women, and yes,
the sad demise of the “Greatest Hitter Who Ever Lived.” I’d liked to
have known Ted Williams enough to ask him if Nap Lajoie, Ty Cobb, Honus
Wagner, Tris Speaker, Babe Ruth, or Rogers Hornsby before him might have
laid equal claim to the greatest hitter mantle, but he probably would
have thrown a telephone at me. Or, he might have said, “That’s a friggin’
good question. Why don’t any of you friggin’ ‘yes men’ ever challenge me
like that!” Because you never knew what was going to come out of his
mouth. But like anything off his bat, there was a good chance it would
come at you hard.
If anyone should receive credit for the
birth of “Red Sox Nation,” it’s Teddy Ballgame. Sure, the Sox were dead
in Boston before Yaz and Lonborg revved up the Impossible Dream machine
in ’67, but Ted Williams’s stature grew and grew the farther away from
the game he got. If there was a Mount Rushmore of Baseball, you can bet
your ass one of those heads would be Ted Williams.
And that brings us to the sad conclusion
of the book. The decapitation of the dead Ted for cryonization. Just
warning you that it’s there. All the details, the seemingly stable
family members I actually had dealings with for My Life in Pictures,
gone right ’round the bend, hiding behind answers like “private family
business” when discussing the subject. I’m sorry. You don’t do that to
the man or the public that loved him, not after this icon of millions
and generations made a whole nation cry by doffing his “hitter.net” cap
(oh, Montville, goes into that wardrobe travesty as well). That night at
Fenway in the 1999 All-Star Game, the Kid, almost 80, essentially said
goodbye to us all. And I wish Montville’s book could have closed with
that image, like we were able to do for My Life in Pictures. But
what happened to Ted in the last three years of his life and the months
that followed his death needs to be chronicled in such a painstaking way
so that perhaps the heirs of other great men will think before being so
callous to the man who made their fortunes and the millions who helped
create an icon with their worship.
Williams did what he wanted, lived however he
felt, and his growing legion of admirers made sure that he was never
went lacking, whether it was lucrative post-ballplaying endorsements
with Sears—where he probably gave them a lot more feedback than they
were expecting—pitching Nissen bread, or just signing his name on
anything. He even had a house and a Hall of Fame built for him just for
moving to godforsaken, landlocked Hernando, Florida. I was there on a
business trip after our Williams book came out—Ted was in the
hospital—and no one went to Hernando after he died; hence the reason the
museum has moved to Tropicana Field post-Ted. But read the book, whether
you like the Sox or hate them. It’ll make you realize why the Mets even
broke tradition in 1999 by honoring someone from another team not called
the Dodgers. The Tommy Ballgame of the Mets, the boastful Seaver, was
truly humbled when he drove the great Williams around Shea Stadium, a
place where Williams never played or even managed with the
Rangers/Senators. Teddy Ballgame transcends team loyalties. Williams was
a good man all the way through,
unlike some other icons of the day, he
fought in two wars and didn’t want to be in either, but he did it. And
nearly got his butt shot off. We really should be careful in our days of
constant war when we attach the word hero to any ballplayer, but with
Ted Williams, hero only begins the conversation.
Non-Mets Book Recommendation:
I thought about this one for a while and there’s no great biography I’ve
read that I can compare this to. I often go for novels or nonfiction
histories that deal with a time rather than an individual. A book that
gives biographical vignettes of the men who made the game and never let
it go, even in old age, is among the greatest of sporting books:
Lawrence S. Ritter’s The Glory of Their Times. If the
names Smoky Joe Wood, Harry Hooper, Sam Crawford, Edd Roush, Fred
Snodgrass, Lefty O’Doul, Goose Goslin, Paul Waner, and Davy Jones (not
the Monkee) don’t mean anything to you, you must read this book to call
yourself a true baseball fan. I bought the book and did not read it for
several years and when I finally did I thought of myself as a horse’s
ass for not having done so before. There is even an
audiobook with all the actual interviews of these greats
conducted by the late Ritter, then an unknown who just wanted to hear
the stories from the source, not the versions diluted by reporters of
yore on deadline or those with too much imagination.
Mets Relevance: The old-timers tell of a purer baseball
that did not need gimmicks or sluggers who shot themselves with needles
while those who should have been looking out for the game instead looked
the other way. There are no Mets without these oldtimers. We need this
type of men of character in this game again. Desperately.
In my year of reading dangerously, I’ve
gone through a bunch of Mets books and come out the other side. Before
it was the Red Sox. This installment is the three little bears. Cubs,
for short.
Some Mets fans have a problem with the
Cubs. I’ve tried to be mad at them, but life’s too short to hold much
enmity for a city that houses the best ballpark still standing. But rest
assured Cubs fans hate the Mets and the city. It all goes back to 1969,
when the Amazin’ Mets stole a division title the Cubs had in their paws
all season.
Though the Cubs have subsequently beaten out the
Mets for division titles in 1984 and 1989, left the Mets on the outside
looking in for the 1998 wild card, and the teams took turns spoiling
postseason parties for the Cubs in 2004 (the Victor Diaz home run game)
and the Mets in the last week of the 2008 season (trashing our
Shea Goodbye moment). It’s a nice
rivalry, what’s left of it since the Cubs shifted to the NL Central 15
years ago, but I’m taking you back before there was even the Mets, way
back…
I’ve long been crazy for ’08. And I don’t mean
2008. A hundred and one years ago, the Giants and Cubs were bitter
enemies indeed. And it was not a one-way hate. The Cubs-Giants rivalry
led F.P. Adams, a New York columnist who’s word count had come up short,
to quickly pen
the most memorable filler item of all time.
It’s the year that baseball became the
passion of American sports and Murphy paints a beautiful picture—I’m
going to use present tense for this review because she so beautifully
uses it that tense to create an immediacy to the proceedings a century
gone. She tells how every major league city feels about baseball in
1908. Cleveland, Detroit, and Pittsburgh run hot and cold with their
baseball teams (not unlike today). The White Sox have an inferiority
complex. In three starts Stan Covelski does more for the Phillies than
anyone in their previous quarter century of existence…and the Phillies
aren’t even in the race.
This is just about the best written baseball book
I’ve ever read. But it’s about much more than simply baseball. I’ll let
a real sportswriting heavyweight tell you—as he does in the
introduction: Robert W. Creamer (and if you don’t know
his work, you’ve got some more reading
to do). “You might think her background as a writer for Forbes
magazine, dealing with business and economics, could weigh down her
prose, but you would be wrong,” Creamer writes. “She bops, if you’ll
forgive an antique verb that she probably wouldn’t use. Her prose bounds
along. It moves.”
And I’ll break in that she doesn’t
misconstrue a single fact. She doesn’t hide any truths that would be
inconvenient. She tells it as it happens. It reads like a novel. Only
better. Only truer. She took her considerable smarts and put them into
the season that made baseball baseball. And she’s a Mets fan, I’m told.
Even if I hadn’t known that…it just figures.
What Cait relates that makes ’08 so great
is she shows—not just tells—how attending a ballgame at the Polo Grounds
feels, how hot a Pullman car gets in August with everyone in wool suits,
how crazy it is on the field and why Fred Merkle would want to light out
for the clubhouse without touching second, how crammed those same stands
get the day of the Cubs-Giants makeup game in New York, and how the Cubs
that day truly had to be protected from the mobs, bribers, and even
cops. She doesn’t wring out drama that doesn’t exist. She rightfully
says that after this knock-down drag-out race in both leagues, the World
Series is a flat-out, one-sided bore. Cubs beat the Tigers in
five—that’ll have to last ‘em.
I used to devour previously unopened
coffee table books on baseball history I found on dusty book shelves. I
found myself drawn to the deadball era, when games were won on hustle
and smarts rather than brawn or a lively ball or lively bodies like
those that have scarred these last 20 years of the game. Give me
McGinnity, Matty, and McGraw, or their despised foes: Tinker, Evers,
Chance, Steinfeldt, Schulte, Orval Overall, and Mordecai “Three-Finger”
Brown.
Even in the present day, as you hunch
forward in the tight moments at Citi Field, you get that same rush as
the cranks clinging to a cliff on Coogan’s Bluff. That’s why the
ballpark beats Plasma and HD. At the park, there’s only the game being
played right now. Look sharp! Turn your head at Chicago’s West Side
Grounds at the wrong moment, you might miss something you’ll never see
again. It’s gone in an instant, only left to the oodles of scribes
writing up the action in great detail for a dozen papers. Imagine if
there was no replay, no “Mets Classics,” only what your eyes could see.
No radio. For a big game, they might put up a board on a streetcorner
and onlookers could follow pitch by pitch. But look sharp, man. Here’s
the pitch…
In the 1908 makeup game between the Giants
and Cubs, with the Polo Grounds packed beyond all understanding, and the
crowd roaring, Jack Pfeister is clearly not up to the task in the bottom
of the first inning. Cubs player-manager Frank Chance—the only one of
the trio in the F.P. Adams poem actually worthy of enshrinement in
Cooperstown—calls in his ace. Quoting another poem, this one by W.J.
Lampton, used in both the Murphy and Brown books:
“And come to this town
To razzle the Giants
With Mordecai Brown.
Mordecai, Mordecai,
Three-fingered Brown.”
The authors describe Three Finger’s
entrance onto the field as “pushing back Giants fans who tried to block
his way. He dared a faceless foe to threaten him in broad daylight
instead of with letters. He joked that he’d die before a capacity crowd
if the Mob cared to come after him.” No one in New York wanted Brown to
pitch, but he did, and he got out of the inning, and he won. Brown won
twice more in the last World Series the Cubs could call their own.
Then there’s his name: “Three Finger.”
Let’s get this straight, he actually had four fingers—his index finger
was cut off in a childhood accident on the farm—but his unique grip made
the ball move in ways that baffled hitters for the better part of 14
seasons. A master of changing speeds, he won at least 20 games six
straight times, and six times his ERA was below 2.00. His 2.06 career
ERA is the lowest in National League history.
Co-author Scott Brown is part of the
family Mordecai’s kin left behind in Kentucky. The authors believe that
the 1869 move to Indiana was based on the Browns having some Cherokee
blood, and given that time period, the idea of relocation to
reservations because of heritage is something no one would have wanted
to risk. Nyesville, Indiana was safer, a great place to farm, and
birthplace of Mordecai Peter Centennial Brown in 1876. The book includes
the only known photo of the boy with all five fingers on his right hand
at age five. According to Mordecai’s own writing, “Every finger on my
hand was chopped to ribbons” by a feed-cutting machine. A subsequent
fall in a tub while playing with a pet rabbit broke six more bones. The
familiar children’s refrain, “Don’t tell dad,” led to a poor bandaging
job that inadvertently created a Hall of Fame hurler.
A University of Nebraska book—as is
Three Finger—this is the tale of the first really good Cubs team
since World War II. The ’69 Cubs were blessed with a remarkable infield,
a Hall of Fame left fielder, one of the most tireless catchers in
history (Randy Hundley, Todd’s dad), and a stellar starting staff back
in the days when you could still win without a greatest bullpen. Manager
Leo Durocher used the same players over and over and over again in the
hot Chicago sun. Feldmann doesn’t see the overuse of his stars—remember
there were no lights at Wrigley Field, so every game was an afternoon
game—to be as big of a factor as the surge by the Mets, who got every
break known to man and had a superb stable of young pitchers.
If there is one thing in baseball I most
regret not seeing—and this covers everything from the aforementioned
Three Finger, Honus Wagner, Christy Mathewson, Walter Johnson, Tris
Speaker, Babe Ruth, Rogers Hornsby, Ted Williams, Willie Mays, and so
forth—“Look Who’s Number 1”…the ’69 Mets.
It was interesting reading Miracle Collapse
while also putting together The Miracle Has Landed.
and just after finishing work on another Cubs book, Cubs by the Numbers. Full
disclosure, I did contact Mr. Feldmann and used his excerpt about “The
Black Cat” at Shea on September 9, 1969 for The Miracle has Landed.
I’ll also disclose that it’s important to know the team the Mets beat
out in their greatest year and why the Cubs still hate us, when we’re—or
at least I’m—not that angry at them. Wait’ll the Cubs and Mets meet in
the postseason some day. One of these teams will have to win. And
maybe a feral cat will get the idea to come out midgame again and tilt
the odds once more. Purrrrrrrrrrrrrrrfect.
Non-Mets Book Recommendation:
Since this entry isn’t long enough or already has enough books, here’s
one for the fiction shelf while you’re shopping for that fan on your
holiday list…oh who are we kidding, it’s for you. On the subject of the
oughts—not our current oughts but those of Mordecai and Matty—I must
recommend Eric Rolfe Greenberg’s The Celebrant, one of the best
novels on sport that I’ve read. Meticulously researched, there’s not a
fact out of place, yet the narrative has a life of its own. I learned an
awful lot about the game back in the day, the personality of the
players, and jewelry—read it and you’ll find out why. As superb as a
Three-Finger curve.
Mets Relevance:
Much like a true Mets fans should know everything possible about the ’69
Mets, dig deeper, man—or woman—and you’ll find a Giants crank in your
seat at the park in suit and tie, with bowler hat perched on head (of
course a woman of the day might be dressed differently). You work at a
job simply because it lets you out in time for the game each afternoon
at Coogan’s Bluff. Yes, sir. That’s the stuff.
I went to the Book Expo in New York back when
the Mets were in first place in those heady days of late May.
Uncorrected proofs of Frost’s Game Six were doled out at the
Javitts Center and I grabbed one. I waited in line for a few minutes and
talked to the bestselling author, hoping some pixie dust might wipe off
on my book sales or writing skills. Frost’s book is just coming out now
in stores, but it made for a fun summer read because…drumroll,
please…I was once almost a Red Sox fan.
Let me explain. I was sent home from
school in early October 1975 because my cat, Lorelei, had just come in
from a summer outdoors with fleas to spare infecting me while she was at
it. I was sent to the nurse’s office and summarily banished. Not quite
head lice disgrace but still subject to sufficient ridicule. The
rash—and humiliation—stayed with me for a few days and in the meantime,
the World Series got going. My first World Series. I didn’t know much
about the teams, but I knew I didn’t like the Reds, who’d slaughtered
the Mets in my first summer as a fan. I’d seen just enough Mets games
that year to fall for the big lugs in blue pinstripes, making me
impervious to attempts by other teams to steal my heart. Though the
Yankees played at Shea that year—and I was taken to a Yankees game at
Shea before I ever attended a Mets game!—I quickly learned an
ever-riding principle of life and love: Most Yankees fans are jerks. Not
all, but enough so I never really gave a thought to being one of those
Met-kees fans you’d like to drown.
But this 10-year-old was rooting hard for those
’75 Sox. Dewey, Rooster, Yaz, Lynn, Fisk, Tiant, Rico, Spaceman, Denny
Doyle. My mom brought home the first copy of Baseball Digest I’d
ever laid eyes on with Fred Lynn
on the cover. There was an article
about best contact hitters—and it featured Felix Millan! I read that
edition of Baseball Digest from the time my mom handed it to me—I
still have a subscription—until the first pitch that night. Game Six.
Finally!
Rain had postponed the game for three days
with the Reds needing one win to clinch. The wait had been so long I’d
gotten over my flea-bitten stage, returned to school, caught a cold, and
was sent back home. My mom didn’t realize I was still watching the game
in extra innings until she heard me scream when Fisk hit the foul pole
after four hours and one minute of exquisite baseball.
My dad, who worked late Tuesdays, got home
as I was celebrating. Both parents were miffed as they put my ebullient
ass to bed, but I remained home the next day even though I was well
enough to go to school. My dad and I watched Game Seven (the last game
at Fenway ever played without a DH, as it turned out). I cried when the
Sox lost on that bleeder by damned Joe Morgan. My dad told me to never
waste tears on a sporting event. The only time I cried at Shea was when
my dad took me there two years later in a vain attempt to cheer me up
after Lorelei got run over by a car. And I wasn’t shedding tears about
an April loss to the Pirates, though that hurt, too.
I watched the second greatest game of my
childhood in 1978. (I watched the Mets plenty in the 1970s, but few of
those games could be called great…or even good.) The 1978 one-game
playoff at Fenway Park was the game that allowed me to tell future
generations of my epic baseball memory experienced as previous
generations had: sneaking bits of the game on radio while sitting in
class (I didn’t think to bring a transistor radio, but I watched for
hand signals from friends). Iona Grammar was filled with Yankees fans
and I was part of the not-so-underground resistance pulling hard for
their unhappy ending. It felt like a family event where you’re told,
repeatedly, “Why can’t you be like your cousin Reggie?” Or on this
particular day, Bucky.
I’d been to Ted Williams Baseball Camp in
Massachusetts that summer—attending my first Fenway game with a camp
group that July—as Boston built its 14-game lead. It was almost painful
to hear the Red Sox fans torment the Yankees fans in our cabin.
Almost painful.
The Yankees caught the Sox before school
even started, but it’s easy to forget now that by mid-September the
Yankees were actually up by four games in the loss column. I was invited
to a game at Yankee Stadium the day the Sox started their 11-2 finish
that caught the Yankees on the final day with 99 wins. For the first
time in my lifetime, there’d be a one-game playoff. Loser goes home. The
wild card was for football.
Just as in ’75, I was pretty wired leading up to
the game; so much so that I got in a food fight at lunch (hey, Animal House came out that year). We had to write out our
weapons from the skirmish—“milk potato chips”—a thousand times each.
Even in a place where punish assignments had replaced corporal
punishment as a method of general discipline, I’d never hit the
four-digit mark. By eighth grade, though, I’d learned how to handle such
assignments while using three pens at a time. So I was writing furiously
next to the curb when Bucky Dent hit that pop fly. Even with all the
bandbox parks built in the last three decades, that’s still the cheapest
home run I’ve ever seen. Or, in this case, heard.
My mom arrived moments after the home run
to pick me up and the Yankees continued scoring on the now traitorous
radio. I turned on the black-and-white TV at home just in time to see
the Red Sox rally snuffed out by Goose Gossage.
I had gotten into the mid-hundreds in my
writing repetition when Jerry Remy pulled a ball into the blinding sun
in right. With Boston down by a run, Lou Piniella sticks out his glove
and the ball hops right into the webbing. (You know if it’s the Mets, it
bounces off the glove, rolls into the corner, and goes for a walkoff
inside-the-park home run.) Rick Burleson stops at second and moves 90
feet on Jim Rice’s long fly. The Rooster dies at third—along with New
England—when Yaz pops up. Just like the end of the ’75 Series.
Well, now that you’ve heard my version of
these two games, you might want to read what happened in the eyes of
people closer to the action. Game Six focuses mostly on the game
and its participants, with lots of wonderful details: star broadcaster
Dick Schaap waking up on the couch of a rookie reporter’s suite because
of the dearth of hotel space caused by the rainouts; or Peter Gammons
getting doe-eyed Globe rookie Leslie Visser a press credential
only to have Sox broadcaster Dick Stockton end up taking her out for
Hungarian food and never letting her go; how Bernie Carbo—he of the
pinch-hit homer for the ages—had major off-field problems, which
explained why he was perpetually traded; how manager Darrell Johnson,
who had his own demons, was hated by the Sox players; how Sparky
Anderson, in the other dugout, was both feared and adored; and how
Johnny Bench suffered enough physical and other pain to put the greatest
all-around catcher on the downside of his career at age 27.
Game Six
has the longest afterword (64 pages) I’ve ever read. It also pauses
action constantly for sentences like, “Billingham missed outside with a
slider to even the count at 1-1.” I found several mistakes, but given
that it’s published by Hyperion and they have a big enough ad budget to
give out free copies—technically, my copy wasn’t free because I dropped
the suggested dollar in the kitty at Book Expo—I trust those mistakes
got fixed before the final version. I’m available for a late proofread
for future printings.
’78
wraps its climactic game around the brutal Boston bussing crisis of the
1970s. I’m not going to get on a soap box and comment 30 years after the
fact on that horrible situation. Providence Journal writer Bill
Reynolds strives for Jonathon Mahler’s Ladies and Gentleman, the Bronx Is Burning
miniseries, Yankees, and everything else aside, The Bronx Is Burning
is a superb book that ties baseball to a time and place (1977) with a
society on the brink. The Boston of ’78 is torn apart for the
world to see. Reading a book that can make you mad three decades after
the fact is good writing. Those agonizing losses at Fenway were actually
bright spots by comparison.
At Posman Books at Grand Central Terminal,
the very knowledgeable, Met-centric, and elastic clark shimmied behind
the front window display, leaned across an array of other books, and
snagged the store’s only remaining copy of Ron Darling’s The Complete
Game from it perch about seven feet above the ground. He grabbed the
book with his right hand, steadied himself with the other, and handed
the scarce copy to me. “Thanks” alone seemed insufficient for such
service. This was the first week Citi Field was open—and his was still
more effort than I’ve seen the actual Mets put forth in a game. This was
proof enough that the book was indeed a major hit. You could almost feel
the books rumbling off the presses somewhere in the U.S. and being
packed into boxes to fill the waiting orders. And even if you couldn’t
infer all that from a guy reaching up and grabbing a book off the top of
a display, there was the Amazon listing to tell you how well Darling’s
book was selling.
The
Amazon “Product Details” bar is the
siren song of the author. Or at least the insecure author. (I think of
myself as many things, but if I’m going to fancy up myself and go with
the author sobriquet, I like to at least go out dressed in my
insecurity.) The number under “Amazon Sales Rank” changes hourly based
on a shifting level of criteria that no one really knows. For most of us
schlubs not privy to the insider publishing numbers the houses receive
through paid services each week, this is all we’ve got to go on. The
lower the Amazon number the better. For me, anytime I check one of my
books and it’s in the realm of five digits, it feels like the Mets
closer just got the first out of the ninth inning. A number under 50,000
and it’s like someone got the third out to end what could have been a
really big inning. There are less desirable scenarios generated when the
number grows larger, inevitably.
Many have become obsessed by the shifting number
in the Amazon sand. A couple of days—oh, who are we kidding, weeks
(months?)—of checking a new book, and the urge slowly fades. And I can
say with confidence that some books I’ve worked on—not ones paying a
royalty, mind you—I have never checked on Amazon. But if I were Ron
Darling—and if Darling were being completely frank in one of his “dog
track money” moments of truth—he’d probably respond to my “Being Ron
Darling” scenario by responding, “It doesn’t suck.” If he’s not checking
Amazon, well…I did it for him. Though it was over the course of many
months (hey, his book was on the “Frequently Bought Together” category
of one of my books, along with
Greg Prince’s). Darling’s book deserves
whatever numbers he got and still gets.
Daniel Paisner should also be
credited—let’s not forget to tip our waiters and waitresses and give
nods to our ghostwriters and lower-profile co-writers—for putting
together a standout manuscript. If you haven’t read The Complete Game,
you should. And I’ll give you a quick spin around the book without
giving away too many details. This isn’t the Times Sunday Book Review—not
that he didn’t get a great review there as well.
The Complete Game
goes from innings one through nine; Darling and Paisner retell what
happened in an inning in Darling’s career, what set it up, and what came
after. A lot of the intricacies are obviously about pitching, but it
sometimes reaches that Men at Work level (like or dislike
George Will, but before I read that book 20-odd years ago I didn’t know
that managers, coaches, and players crammed information, tendencies, and
weaknesses of opponents like it was chewing tobacco). The Complete
Game taught me things about the art of pitching—and certainly about
Ron Darling—that I didn’t know.
My favorite chapter is probably the first, where
he describes in detail the first inning of his first major league game.
It’s not just about that inning, it’s about the week leading up to it,
Al Jackson working him relentlessly in the minors to make sure he’s
never satisfied with living on the beach in Norfolk, and the almost
cruel reception by the major league veterans when he arrives. I’ll never
see Ron Hodges as a “Virginia gentleman” again. The ironic thing, and
what I never considered over the ensuing quarter century, was that at
the exact same time Darling reached the major leagues alone and unsure
in New York, I was also alone with all my belongings, hang-ups, and
loneliness in a dorm room in Virginia. Like Darling, I felt I belonged
at the next level but I had doubts I was ready. Darling had been to
college,
C. Montgomery Burns’s alma mater, and
Darling was somewhat embarrassed to even bring up his Yale background
lest anyone think the callup was putting on airs. It made me glad that
Darling outlasted most of the veterans who treated him shabbily on
arrival.
“Ninth Inning,” the 1988 clincher against the
Phillies, is riveting because it takes you to one of the rarest places
in professional sports in the 21st century: the final inning of a
complete game. Not just any complete game but one with a division title
waiting. And it’s no blowout, the tying run’s at the plate. And Darling
loses his focus midway through the inning, but manager Davey Johnson
lets him come out on the other side with probably the greatest reward of
his career. Well, there’s that other moment when he’s on the field for
“The Star-Spangled Banner” and his father happens to be on the field
with the local veteran’s group and it’s, oh, just minutes before his
start in Game 4 of the 1986 World Series and it all happens at the
ballpark where he rooted as a kid and had never pitched before…and his
team really, really, really, really needs to win. But now I’m giving
away too much. How Timesian of me. Beg pardon. I will say, if I
might, that the parts I wasn’t as keen on were the two chapters devoted
to innings by Mets pitchers since he became an announcer. (That’s
already been done, Ron.
Look to your right in the booth, man!)
Darling—and Paisner—still provide expert commentary in those chapters,
but the stories about himself are so insightful and interesting, I
would’ve rather seen him devote two more chapters to two other
make-or-break innings of his career. But that’s nitpicking. He even
gives us a bonus inning from the game that made him a first-round pick,
but I won’t say when it was, though I will say the location is one of
the great old-time minor league parks and where I spent the last night
before the 1994 strike.
I debated for a while whether to put this book in
the addendum of great Mets books that weren’t around when I first did my
top 10 list of greatest Mets books for 2007’s 100 Things Mets Fans Should Know and Do Before They Die.
Seeing that the list is up to Number 15 (Darling’s last
uni number
as a Met); seeing how this is, after all,
My
Darling Year (referencing his original
Mets number, 44); and seeing how the list has lately become a register
of talented cronies (I just happen to know talented people), I give you
Ron Darling, who doesn’t know me from Adam. And I’m not even talking
Adam Schein.
1. Can’t Anyone Here Play This Game by Jimmy
Breslin
2. The New York Mets
by Leonard Koppett
3. Screwball by Tug McGraw and Joseph Durso
4. If at First by Keith Hernandez and Mike Bryan
5. The New York Mets: Twenty-Five
Years of Baseball Magic
by Jack Lang, Peter Simon
6. The Complete Year by Year NY Mets Fan’s Almanac
by Duncan Bock and John Jordan
7. The Worst Team Money Could Buy by Bob Klapisch
and John Harper
8. The Bad Guys Won by Jeff Pearlman
9. The Ticket Out by Michael Sokolove
10. Pedro, Carlos, and Omar by Adam Rubin
11. Mets Fan by Dana Brand
12. Mets by the Numbers by Jon Springer (and some
other blowhard)
13. Faith and Fear in
Flushing: An
Intense Personal History
by Greg Prince
14. A Magic Summer: The Amazin’
Story of the 1969
New York Mets
by Stanley Cohen
15. The Complete Game by Ron Darling with Daniel
Paisner
I mulled over adding The Complete Game
to this list for a month. In the end, Darling belongs on here, just like
he belonged in the ’86 World Series rotation with Dwight Gooden and
Bobby Ojeda; though he’ll be the first to tell you that Sid Fernandez
saved his bacon—and everyone else’s greasy pork products—with a long
relief job for the ages in Game 7 against Boston. The last three-plus
years have often felt like a 1,300-day heart attack, I will say that
having Darling in the booth, mixing seamlessly with Mex and Gary, has
made watching the Mets a treasure and something I think many of us will
look back at down the road and say that we were lucky to have been able
to watch them. They make a poorly-conceived product into something I
want to buy. And that’s all you can ask, whether you’re selling National
League baseball or Slap Chop.
Non-Mets Book Recommendation:
Darling’s good, sure, but the first Yalie author I’d recommend is
Sinclair Lewis, whose birthplace—and
campground their way onto the Metsilverman
’09 itinerary as part of my first camping trip in a decade. Back in
college, I was assigned Babbitt for class and before the year was
out I had read Elmer Gantry and Arrowsmith—and they’re not
short—on my own time. I’ve read most of his other works, plus Richard
Lingeman’s brilliant biography on the first American to win the Nobel
Prize for Literature. If you’re going to choose just one Lewis book,
though, I would pick his landmark Main Street.
I read it before I took my first job out of college at a small-town
newspaper. The book opened my eyes about swimming in the backwater--it’s
far deeper than you can imagine. A New York boy going to live in rural
Massachusetts two years after Billy Buckner? Why, I might have drowned
without Main Street.
Mets Relevance: You’ve got to know your neighbors—whether they’re in
Philly, Miami, Atlanta, or even Montreal—and always remember that
they’re watching you, ready to report you to the Fun Police the first
time you smile on the field.
I recognize it’s kind of cheating to review a
magazine, but I have come to the conclusion that I can’t review
The 1969 Miracle Mets by Steven
Travers (Guilford, CT: Lyons Press, 2009), even if the book is dedicated
to Tom Seaver and Christy Mathewson. I’ve been editing a 1969 Mets book
for well over two years and am too close to the subject and to the end
to give an honest appraisal of someone else’s new work on that team. If
I give a beaming review, might that potentially hurt sales of my
competing work? If I give it a bad review, won’t I look small and petty?
Though publishing exists with fewer inherent conflicts than journalism,
I look at the recent painful lesson learned by the longtime bastion of
ethics, the Washington Post. I suggest you take
a look at the Travers book in the store or online and judge for yourself
whether it’s worth a purchase. Just leave some space in your Mets
budget—and baseball library—for The Miracle Has Landed, due out in
the fall. And make sure you tune in or turn out for the Mets game on
August 22 for the ’69 Tribute Night.
That said,
Greg Prince tantalized me with his
Sports Illustrated just out of the postal box with Tom Seaver and
Nolan Ryan on the cover. SI even got Ryan to pose again with
Seaver in a Mets jacket—the Texas Rangers president sporting a Mets
hat—while acknowledging that he was part of that ’69 team and enjoyed
getting his only World Series ring. Of all the Mets on that world
championship team, only a handful—including the lefty-righty bullpen duo
of Tug McGraw and Ron Taylor—ever got World Series rings with another
organization.
After Greg flashed the copy before the game
against the Dodgers, I spent the better part of a week trying to find a
copy in my environs. As a kid, I had a long-running SI
subscription and stored almost every Sports Illustrated from
April 1977 to January 1989…until they were all engulfed in a fire. That
was the least of the losses, but I continued getting the magazine. As
time passed, though, few issues seemed worth saving from the recycle
bin. I put aside an hour on Saturday mornings to read it, but kids
eventually took away that hour. I cancelled my SI subscription
and started a new one so I could get Arizona Cardinals promotional gear
(I always thought it poor marketing and ill treatment of repeat
customers that new subscribers got gifts, while renewals got squat).
When the football Cardinals changed their logo, I changed my reading
habits. I now read it at the doctor’s office and buy three or four SI
issues a year, usually while at airports or
when a Met is on the cover. I do enjoy
the baseball and history part of their
web site, but that doesn’t fill the
coffers of Time Life. This week I coughed up $4.99 for the July 13-20
Seaver-Ryan double issue at a gas station after a few days searching
other locales—I never thought I’d get blank stares from clerks when
asking if they carried Sports Illustrated. If you are a
subscriber and this issue is sitting amidst a pile of unread summer
mail, push the bills aside and start reading.
I recall the thunderbolt from on high 13 years ago
when I saw
Al Simmons and the Philadelphia A’s in black-and-white cover glory.
The 1929-31 Athletics were the only team between the mid-1920s and World
War II to offer any AL opposition to the damned dynastic Yankees. SI
did an exceptional job with that issue and every black-and-white cover
since then has followed suit. The Seaver-Ryan cover lives up to
expectations. The Mets story is not pursued in tremendous depth—you want
in-depth, wait just a little bit longer for The Miracle has Landed—but like a
good journalistic piece, Michael Bamberger covers the bases, gets in
touch with the principals, and takes you back, however briefly, to that
giddy time in the last months of the 1960s when the Mets were one of the
few things people could agree on. Or agree on if they weren’t from
Chicago or Baltimore. A pull quote sums it up: “The ’69 Mets are part of
no era but rather a one-off, charmed and charming, frozen in time.” The
’86 Mets are a touchstone team for many Mets fans—and ancient history to
a new generation of fans who think of Hernandez, Darling, Gooden, and
Carter as old timers—but the ’69 Mets are the great franchise love
story. These ultimate underdogs put together two years worth of
wins—they won nine more regular-season games in 1969 than the ’62 and
’63 Mets combined—and then barreled over the competition in improbable
and incomparable style in October.
The SI double edition features many
other “Where Are They Now?” pieces on teams and people from ’59 (the
AFL—it really started in 1960, but we’ll give it to ‘em), ’79 (Kent
Tekulve, Omar Moreno, and other Steel City heroes), ’89 (Monica Seles,
Dave Dravecky, Lanny McDonald), and ’99 (Brandi Chastain and a handful
of names hard to recall just 10 years after). They also have a bunch of
“Where Will They Be?” teens, continuing the tradition of putting
national pressure on kids who should be buying baseball cards, not
worrying about when they’ll appear on them. But SI has been doing
that for a long time, and they do it with more class and style than
ESPN, which has an unreadable magazine that thinks the “E” in its name
stands for E! Entertainment and the “P” is for People.
I think I’ve said enough about media
giants for now, but here’s one last thought. There’s a great piece on
Earl Weaver in the SI double issue about how the Orioles manager
was the father of the modern management style: eschewing the bunt,
steal, and hit-and-run; focusing on pitching (177 pitching changes in
159 games on the way to Baltimore’s 1971 pennant); and knowing which
player excelled against which pitcher in which situation. While reading
the Tom Verducci piece, I realized that this should be the story of Gil
Hodges. He made more in-game moves, was more personable and less
bombastic than Weaver, and beat the Earl of Baltimore in ’69, but the
O’s consistently had better personnel—not just starters but reserves.
Compare Benny Ayala, Pat Kelly, John Lowenstein, and Gary Roenicke in
’79 to the ’69 Mets crew of Rod Gaspar, Ron Swoboda, Art Shamsky, and Al
Weis. It’s not even fair. Gil died before he got the chance to reach
another Mets October. Meanwhile, Weaver won in ’70, but he lost two
winnable World Series to Pittsburgh. That Verducci piece should have,
could have been a story about another beloved Hall of Famer. Tis the
pity that that story can’t be written about Gil Hodges, that it can’t be
known.
Let me first get all the disclaimers out
of the way. Yes, I know A Magic Summer author Stanley
Cohen. Yes, he wrote the introduction to The Miracle Has Landed
a celebration and in-depth book I’m editing about
the 1969 Mets—due out at the end of this summer. Yes, I was invited to
Metstock
with Stanley Cohen, Greg Prince, and Jon Springer, but I will be out of
town on an annual trip organized long ago. And yes, getting back to the
point, A Magic Summer is one of the best books ever written about
the New York Mets.
One
thing that may be surprising is that I hadn’t read A Magic Summer
until, well, last summer. I had skimmed it, read pieces of it for
various books I worked on, but I had not sat down to read it straight
through until I was fully engorged in work on The Miracle Has Landed.
How I cobbled together a top 10 of Mets books in 2007 without having
read it was as big an error as Baltimore’s Pete Richert’s throw clipping
J.C. Martin’s wrist and bouncing away to allow Rod Gaspar to score the
winning run in Game 4 of the ’69 Series. Not familiar with that play?
READ THIS BOOK! Lived through everything that happened with the ’69
Mets? BUY THIS BOOK. A new edition of the 1988 classic has been
re-issued by Skyhorse in this 40th anniversary year of the 1969 Mets,
making it available to a new generation of fans who certainly aren’t
getting any Mets history lessons inside Citi Field.
A
Magic Summer tracks down almost every player on the postseason
roster for the 1969 Mets during the summer of 1986, as the Mets put
together the second great team in club history. (We’re waiting very
patiently for the third such year.) There is no index to A Magic
Summer, but I loved the first version of the book so much I made my
own index. The Skyhorse re-issue has the same number of pages as the
original, so here—lest the Post-It note that I wrote it on one day come
off—is the metsilverman.com one-of-a-kind Index for the first mentions
of each player in A Magic Summer:
Art Shamsky, p. 24
Tommie Agee (told by others), p. 39
Tug McGraw, p. 47 (also p. 193)
Wayne Garrett, p. 61
Jack DiLauro, p. 73
Ed Charles, p. 83
Donn Clendenon, p. 91
Ed Kranepool, p. 108
Tom Seaver, p. 117 (also p. 271)
Ken Boswell, p. 129
Rod Gaspar, p. 141
Cleon Jones, p. 145
Jerry Grote, p. 153
Duffy Dyer, p. 169
Cal Koonce, p. 177
Jim McAndrew, p. 207
Don Cardwell, p. 207
Ron Swoboda, p. 213
Gary Gentry, p. 229
J.C. Martin, p. 243
Ron Taylor, p. 251
Nolan Ryan, p. 257
Bud Harrelson, p. 272
Al Weis, p. 278
Jerry Koosman, p. 294
Kooz
is at the end for a reason. Though ’69 was the year Tom Seaver made the
transition from All-Star to Name Someone’s Who’s Better, the Mets won
that World Series because of Koosman. Everyone turns to his superb
outing in the Game 5 World Series clincher, which is arguably the most
significant game in Mets history, yet Kooz’s start in Game 2 was as
important, if not more so. A day after the Orioles had roughed up Seaver
in the Series opener, everyone who had already written off the Mets now
considered them to be as done as the 1966 Dodgers—a team that featured
Sandy Koufax and Don Drysdale—that the Orioles had swept just three
World Series earlier. The ’69 Orioles were almost all veterans of that
world championship club—the main differences were left-handed ace Mike
Cuellar, shortstop Mark Belanger, and fiery manager Earl Weaver.
Lefty
Dave McNally, who’d thrown a 1-0 shutout against Drysdale in the ’66
clincher, faced second-year southpaw Koosman in Game 2 of the ’69 Series
in Baltimore. If the Orioles got off to a strong start against Koosman—or
even nicked him for a couple of early runs—the Series might have gone in
a completely different direction. Instead, Kooz had a perfect game going
into the seventh inning. The O’s broke up the no-no and scraped together
a run to tie it, but the Mets pulled ahead in the ninth on a single by
Al Weis. (In a move that would be second-guessed incessantly today,
there was a base open, two outs, and Koosman on deck, but McNally
pitched to Weis and Baltimore paid dearly.)
Leading 2-1, Koosman got the first two outs in the bottom of the ninth.
He then walked two straight and gave way to reliever Ron Taylor, who got
Brooks Robinson to ground to third. The Mets had their first-ever World
Series win and more importantly, it was all even heading back to New
York. The next time the Mets returned to Baltimore was for a screening
of the 1969 World Series Highlight Film in the winter of 1970.
Cohen
superbly frames the 1969 action against how each of the characters in
his narrative consider that Amazin’ moment two decades later. These
face-to-face interviews are revealing and nearly all of the players
cherish that moment as much as the fans do. For most of the ’69 vet
Mets, winning the world championship was clearly the summit; nothing
else would ever touch it. Even for the two Hall of Famers on the team
who were still active when the interviews were done—Seaver and Nolan
Ryan—this was the only World Series they ever won. And if you look at
the roster above, there will never be a championship team as punchless
as the ’69 club. Gil Hodges—sadly, he died just three years after the
championship—is one of two pivotal characters not interviewed (Tommie
Agee would not sit for an interview without being paid). Yet Hodges is
all over this tale—he is a part of these men’s everyday lives, his
lessons going beyond the diamond in almost every case (there are a
couple of bitter bubs I’ll let you uncover yourself).
Cleon
Jones, famously removed mid-game by Hodges during a dreadful
doubleheader loss to Houston at Shea at the end of July 1969, laughs at
the memory. “We were getting our ass kicked and something had to be
done, and that was his way of showing us that he wasn’t satisfied in the
way we were playing. We got the message too. It turned the team
around...Hodges instilled that winning attitude into us. When we left
Chicago [in July], our feeling was, ‘We’re going to beat you guys.
You’re a bunch of old men.’ We felt we were as good as anyone then.”
In honor of Gil Hodges and of this great
book, I’m righting a wrong from 100 Things Mets Fans Should Know and Do Before They Die
and placing A Magic Summer in the pantheon of great Mets books.
Like the Hall of Fame in Cooperstown (though not exactly as
prestigious), I won’t be removing anyone from their already decided on
pedestal. Instead, number 11 and up is part of a new wing. Number 14—not
coincidentally, Gil Hodges’s number—takes its rightful place among the
unique books that chronicle this entertaining, agonizing, and yes,
occasionally inspiring franchise (books are listed by year of first
publication, except for the last one):
1. Can’t Anyone Here Play This Game
by Jimmy Breslin
2. The New York Mets by Leonard
Koppett
3. Screwball by Tug McGraw and
Joseph Durso
4. If at First by Keith Hernandez
and Mike Bryan
5. The New York Mets: Twenty-Five
Years of Baseball Magic by Jack Lang, Peter Simon
6. The Complete Year by Year NY Mets
Fan’s Almanac by Duncan Bock and John Jordan
7. The Worst Team Money Could Buy
by Bob Klapisch and John Harper
8. The Bad Guys Won by Jeff
Pearlman
9. The Ticket Out by Michael
Sokolove
10. Pedro, Carlos, and Omar by
Adam Rubin
11. Mets Fan by Dana Brand
12. Mets by the Numbers by Jon
Springer (and some other blowhard)
13. Faith and Fear in Flushing: An
Intense Personal History by Greg Prince
14. A Magic Summer: The 1969 Mets
by Stanley Cohen
The
Magic Summer of 1969 is like that first summer you fell in love. There
will longer-lasting relationships and many more important things that
happen in your life, but you always remember that first summer when you
loved and were loved back, when there didn’t seem like anything you
couldn’t do together. Everything ends, including most first loves, but a
bit of it always stays with you.
And keep in mind, I was in love with
re-runs of Underdog
as a four-year-old in 1969 and have no memory of the real underdogs as
they were pulling off their Amazin’ coup. Get this book and you will
live what you missed or re-live your first love. It is something every
Mets fan should know and cherish.
Meet the Mets Authors:
Though I will be at Citi Field at 11 a.m. on Father’s Day for the
Rotunda clubhouse shop signing with Keith Hernandez, I will be out of
town for Metstock. But three of the luminary
authors on the above list addendum will be there: Jon Springer, Greg
Prince, and Stanley Cohen.
Two Boots Tavern
on the Lower East Side will be the site of the event on Thursday, June
18, at 7 p.m. Fittingly, the Mets will be playing the Orioles on TV from
Baltimore at the very same time. Where’s Kooz when you need him?
The branch of anthropology that deals with
the scientific description of specific human cultures.
I’m still not 100 percent sure how this
specifically relates to the Mets and Mets fan as a people, but this book
led me to the next level of pondering the Mets and their meaning. My
meaning. Deep stuff. Richard Grossinger has written books on a variety
of subjects, including others with words in the titles that my thick
skull can’t quite wrap itself around: “Embroyogensis,” “Alchemical,”
“Slag” (not a big word but a little
obtuse,
however you want to define that), and then there’s evocative “The Long
Body of the Dream.” But while I probably won’t be reading some of these
works because they are not in my particular field of study, I must read
his Out of Babylon: Ghosts of Grossinger’s,
about how the author, perceived heir to the Borscht Belt kingdom of the
Catskills, Grossinger’s resort, took a different path just as a tectonic
shift in the vacationing habits of New Yorkers turned Grossinger’s and
many of the other Catskill enclaves—all built to entertain thousands for
weeks at a stretch—into veritable ghost towns. Like the village outside
the Concord, where blocks of boarded up buildings have crumbling signs
written in Yiddish, Grossinger’s now too masses of empty buildings that
the author once knew quite well yet now stand empty or don’t stand at
all. Being future king to a kingdom that ceases to be just as one is to
assume the throne is a subject of personal interest…and those resorts
are not far from where I live now. It is staggering to witness the
magnitude and quietude of these abandoned compounds. Though a lot of
these places have top notch, if underused, golf courses that are still
in operation.
But I digress…and that’s OK because
Grossinger’s best moments in his Mets book digress from the subject. One
could call it 316 pages of digression. Facts are used to illustrate
points and bring one to a deeper plane of Metdom, fandom, and lifedom. A
stray fact may be misconstrued here and there, and in a lesser book I
might rail in anger…but we’re dealing with genius here. He’s been
dissecting this team from afar since before I’d ever met a Met.
Grossinger has lived in northern California—and in many other stops
without good Mets reception—for several decades. He is loyal, to say the
least, despite only glimpsing the team in person at Candlestick Park or
at the park named after whichever phone company most recently hijacked
Pac Bell. He has followed the team voraciously via satellite for years,
doing so when it took engineers, a consortium of relocated East
Coasters, and other baseball-mad acquaintances putting mucho dough into
a pot to pay for the privilege of having a satellite dish the size of
China Basin. Juan Hernandez, Keith’s dad, was on the fringes of this
crowd, though he did almost all of his watching from home and often
called in to analyze his son’s at-bats or pick up pointers about
reception.
It’s a fascinating Quixotic world, tilting
at Mets windmills just for the opportunity of seeing John Pacella pitch
against the Expos. It’s a level of dedication that the many people,
including those running the franchise, cannot begin to fathom. When the
author writes a letter to Fred Wilpon, a family acquaintance from years
past, and giddily tells him about his Satellite Baseball Club, the Mets
owner’s reply is that he “intended legal action against those who were
stealing his signals and I should take heed of law breaking.” It’s
difficult to think of anything to say to that.
Grossinger went on a blind date at his
high school prom with a knockout yet ended up in the bathroom with a
transistor radio tuned to the Polo Grounds trying to gauge when Rod
Kanehl would come up to bat for the ’62 Mets. Like many before him,
Grossinger came of age as a Yankees fan, rooter of the familiarized
victory, despiser of the arbitrary defeat. And he walked away from the
glittering golden calf and embraced the 120-loss Mets. The girl at the
prom respected him, too, not favoring any of the drooling non-Kanehl
fans at the dance and going to a post-prom show with him. He never saw
her again—though she remembered him years later when meeting his
stepmother—while Kanehl indeed homered the night of the prom in a
blowout loss to the Dodgers. “Clenching my fingers into brief fists, I
mouthed a voiceless “Yes!” For someone like this, Maris and Mantle would
no longer do.
The author, who is also a publisher, fashions this
book from works both published and unpublished previously—he’s written
several books on baseball
as well as other varied subjects. Many
of the stories in this book—with a surprisingly detailed index—are
transferred to the page as if a game on September 15, 1971 has just
occurred. There are countless golden moments, spilled out on the floor
in random fashion, sometimes rambling, sometimes touching, often right
on the mark. Recounting his life as a Mets philosopher in backwards
progression, Grossinger transforms 1980s Met Terry Leach into a
down-to-earth Sherpa among side-arming right-hander crowd (Grossinger
published
Leach’s memoirs); his mixture of wonder
and melancholy in the immediate aftermath on the ’86 world championship
is a clue into why the team never won again; he spends several days at
Candlestick with Frank Cashen, Arthur Richman, Ron Darling, and the ’84
Mets; takes us to long-forgotten Parc Jarry in Montreal to let us taste
the smoked meat; breathlessly recounts the comeback in 1973; and dreams
of Wayne Garrett.
I dream of
Del Unser.
And I sleep better knowing there are people like this still hurling
their time an energy into this team. Ah, but the payoff.
Non-Mets book recommendation:Blue Highways by William Least Heat Moon (aka William
Trogdon). Finally, a nonfiction recommendation! One day in the late
1970s, Mr. Moon was fired from his teaching job at Mizzou and his wife
left him. Then he left. He toddled out to his vehicle, went down a small
road, and he stayed on it. He circumvented the country, travelling
solely on the backroads and documenting the people he came across in
small towns throughout the country …and not just in the glamour states.
He stopped and talked to whomever he met and wrote it up as he went
along: essential people in their communities, eccentric characters, and
people who came off as jerks initially and then upon further review were
revealed as the complex characters that humans were made to be. A
next-generation version of John Steinbeck’s Travels With Charley, Mr. Moon is not as well outfitted
or connected as Mr. Steinbeck—and he also has neither a Nobel Prize nor
a dog. Several years after devouring Travels with Charley (named
after his companion standard poodle), I started the journey into Blue
Highways. I began in 1992 and finished in 2007—the book is
450 pages, but it doesn’t take that long to read unless you put it down
for a decade and a half. It sat on my shelf for all the years in
between, its all-seeing book spine’s eye viewing my life through
bachelorhood, marriage, two children, two dogs, two thousand pillows
thrown during Mets games…and then one day I took the book off the shelf
and the journey began.
Mets
relevance: It’s
a never-ending journey born out of desperation and taking one to places
beyond imagination or comprehension.
Review: You Think
Today’s Mets Can Be Hard to Watch?
Though Jamie Moyer is the
only player in the major leagues I can call my elder, there was a time
when I was a mere pup at the ballpark, when baseball was my entire
life—and my life stunk. Of course, it was a wonderful childhood that I
think about often, but when you’re a baseball fanatic at the level that
only a kid can be and your team is the Mets of the 1970s, then life is
not good.
I grew up with parents and
relatives who had survived the Depression and they all had stories of
one sort or other from “the war” and how
Senator Joe McCarthy used our fear of
communism as an excuse to strip people of their livelihoods. My elders
repeatedly informed me about how easy I had it, but they had been raised
by parents who’d made it through the flu epidemic, the Great War, and
various panics; they claimed their kids had it relatively easy. It’s
generational.
My early years were a breeze,
by comparison, but I at least had the Mets in the 1970s to keep me
humble. While the Yankees won and won and won some more with seeming
ease, overcoming deficits and beating the Dodgers in the World Series
like it was the 1950s, the Mets, on the other hand, were just about New
York’s most anonymous and pathetic franchise. As a result of time served
in M. Donald Grant’s Gulag, I can haughtily say anytime a fan boos a
current Mets player, “You want to boo someone, you should have booed
Bruce Boisclair, not Carlos Beltran.”
(By the way, look at that Boisclair card. Is he holding an aluminum bat?
He still couldn’t have gotten a ball out of the park with one of those
bats, thanks to his wide-splayed stance and lack of skill.)
From First to Worst: The New York Mets, 1973-77
by Jacob Kanarek (McFarland, 2007) brings back the suppressed memories
of this era in a day-by-day format. Like me, Kanarek wasted a nice chunk
of his youth following the unfollowable Mets, a team that inspired
“friends” of
Greg W. Princeto call him to
resign their Mets allegiance. (Many applied for reinstatement in 1986.
They deserved deportation.) For all I know, Kanarek, Prince, and I might
have all been sitting in the same empty expanse of Shea, shaking our
heads unison as Doug Flynn popped up with the bases loaded against a
scary stovepipe hatted Pirate.
From First
to Worst looks at the deterioration of the franchise on a day-by-day
level. Just like when you’re a kid, you’re not really aware of your
physical growth on a daily basis, you can’t really see your team coming
apart at the seams. At least you couldn’t until they traded Tom Seaver.
Then it was obvious. Your team wasn’t having a bad season, it was going
to be really bad for eons. And six year is an eon to a kid. When they
started stinking I wasn’t even of junior high age and when they
stunningly came out of it in 1984, I was in college. But that’s not to
say there weren’t some Amazin’ moments that this book helped me relive.
It starts in
1973 with a team that seemingly is on the path to oblivion, but
somewhere, somehow, at the last moment, the team plays brilliantly and
the rest of the division can’t do diddley squat. The Mets stole the NL
East, outfought the Reds for the pennant, and were a bloop and a clue
away from beating the mighty A’s in the World Series. That’s the story I
was taught in the constant watching of the 1973 World Series highlight
film that Channel 9 put up during every rain delay. I didn’t come aboard
the S.S. Met until 1975, and I would in due course realize that in this
context, “S.S.” stood for “Sinking Ship.” First to Worst enabled
me to relive the miraculous finish of ’73 that I just missed. The book
made me smile remembering the first game I ever turned on and sat down
to watch from start to finish on TV, a
Tom Seaver three-hit shutout.Or
the series against the Dodgers where I would have sworn that
Davey Lopes was
Felix Millan’s twin. Or the game where Tom Seaver recorded his 200th strikeoutfor a record eighth straight
season and blanked the first-place Pirates to boot on Labor Day.
Knowing the ending—and having
read a portion of the book earlier (full disclosure, Mr. Kanarek let me
look at one part of the 1975 chapter of his manuscript during writing
and he subsequently let me use some his 1970s photos, like the one at
the top of this article of Hendu and Dude)—I read the book back to
front. That is, I started with 1977 and worked my way backward, so it
ended with the “Ya Gotta Believe” team in 1973. If only time could be
bent in such ways.
Kanarek’s
superb website has more great photos and
welcomes you with Bob Murphy telling you “there’s no better way to relax
than withy the eaaaasy taste of Budweiser”. Trust me, the book and the
site are more effort—and more fun—than anything the Mets organization
did in the post-belief 1970s.
Kanarek’s book is Mets
history without any fluff, straight medicine for a fan base that acts
more and more like it’s entitled to something. Enitled to what, I don’t
know. To those who hold this false sense, let me add a final piece of
advice before I drink my Ensure and lace up the dentures, “You could be
stuck wearing striped bell bottoms in an empty stadium with a lousy
manager, a worse owner, and no end in sight. Stop complaining already.”
And start reading this book…
They
say that newspapers are dead. Maybe they are, maybe they should have
seen this coming and stopped being so self-important and saved
themselves. But one thing you can say about the papers, they got it
right for a long time. Despite four years of high school French, I can’t
read a sentence in any other language and I’ve only read the London
Times and Toronto’s Globe and Mail in passing, so I can’t
definitively say if there are better papers in the world than the New
York Times. Having spent a lot of time around newspapers in an
earlier life, I don’t think I’m going out on a limb by calling the
New York Times the best paper in America, nudging out the Wall
Street Journal, which doesn’t have a Sunday paper or devoted weekly
Book Review section or magazine or daily sports section, all of which I
find essential to newspaper enjoyment.
And
if there’s one thing newspapers can still do is give us a sense of the
past. Our past. And the New York Times: The Greatest Moments in
New York Mets 1961-2008, 64 Historical Newspaper Pagesis
absolute gold. It not only tells you about the team you came from, it
includes some of the biggest headlines on its pages: “U.S. and Russians
Pull Back Tanks from Berlin Line” (10/29/1961). That makes you gulp
about what might have been. Plus other sports infiltrate these pages,
laid out as they were the day they were first printed: “Ewbank ponders
benching Unitas” (10/11/1961)—Don’t do it, Weeb! There are also
advertisements for other sports: “Rangers vs. Bruins: General Admission
$1”—get me two, please; and “Tonite, 8:30: Knicks vs. Cincinnati.
Preliminary Game, 6:45.” What? Plus there’s enough Scotch ads to keep
you reeling into the computer age.
And
of course there’s plenty about the Mets presented in the context of its
times. Or Times.
--Stuff so commonplace you don’t even bat an eye: “Shea Stadium Opens
with Big Traffic Jam” and one I always agreed with “ ‘Fabulous’ Stadium
Delights Fans” (4/18/1964).
--Stuff so Amazin’ you can’t help but smile: “Mets Are First! They Top
Expos, 3-2 in 12 innings and 7-1, as Cubs Bow, 6-2” (9/11/1969).
--And
one that just about made me mist up to see it in print. “Mets Win, 5-3,
Take the Series and a Grateful City Goes Wild” (10/17/1969).
--Here’s a headline you don’t see much any more: “Met City Explodes with
Joy” (10/11/1973)
It’s
a few years before the headlines start coming with much frequency and
then the Mets presses start rolling again.
--“Keith Hernandez Sent to Mets for Allen, Ownbey” (6/16/1983).
--“Gooden Rookie of Year” (11/20/1984).
--“Finally, the Mets Achieve the Inevitable Title” (9/18/1986).
--“Mets Wins, 6-5, on Dykstra Homer” (10/12/1986).
--“Mets Win on Carter’s Hit in 12th for 3-2 Edge” (10/15/1986).
--“Mets and Red Sox Gain Series: It Wasn’t Easy” (10/16/1986).
--
Page 1 news in your Sunday Times: “Mets Force Final Game with
Dramatic Rally” (10/26/1986)
--
And an even bigger part of Page 1: “Mets Get Magic Back, Take 7th Game
and Series” (10/28/1986)
I’m
going to stop there. These pages indeed stop time. The news keeps
going—though there’s just one page between the ’86 world championship
and the first interleague win over the Yanks in ’97. There’s not much
bad news: no Seaver trade, no Scioscia homer, but there is enough space
devoted to Yadier %&@$+%* Molina. The quality of typography. photos, and
layout increases with time while the team never again reaches the
dizzying climax of 1969 or the bully who’s about to get knocked over,
then rights himself and wins the fight in 1986. But he’s our bully. Long
life to him.
I
cannot state articulately enough just how great this small bundle of
broadsheet is. All this mist and time of the Times for $12 at the
Market at Citi Field? For the price of a sandwich? (A good sandwich,
mind you.) With bylines by Leonard Koppett, Joseph Durso, Arthur Daley,
Murray Chass, Robert Lipsyte, George Vecsey, Tyler Kepner (Buster Olney
was stuck covering the other team in town), and a list of All-Stars that
rivals the players they covered in terms of talent. Buy a copy before
they run out. It may be the best news you read about the Mets all year.
Warning: While I found this gem at the ballgame without even knowing it
existed, I could not find anyone selling it on the web, even when I used
the ISBN: 9781934653067. By all means, let’s bury the team’s past as
deep as we can…
Ask
about it at your local bookstore or inquire about it at the World’s Fare
Market at Citi Field and then search near the checkout counter if you
get a blank stare.
Non-Mets Recommendation: Read a newspaper. Any newspaper. Today. And
I mean the kind with the dark print that sometimes gets on your hands
and is helpful in wrapping fish. Trust me, you’ll miss newspapers when
they’re gone.
Mets Relevance: Without papers, the news is just a lot of pap. No
substance or context, with too many opinions permeating everything.
The reason I’m only reviewing Mets books
written since 2007 is because that was the year I put together a top 10
list of personal favorites in my book 100 Things Mets Fans Should
Know and Do Before They Die. The list, which I finished before the
baseball books came out in ’07, generally included books I felt were
innovative and presented a unique exploration of a team that requires
explanation, a lot of explanation.
In case you don’t have 100 Things—and if
you want to find out why these books made the list, and a few other
Metsian things, order one
here—here’s a quick rundown from #81 in that tome, listed in
order of first publication:
Can’t Anyone Here Play This Game
by Jimmy Breslin
The New York Mets
by Leonard Koppett
Screwball
by Tug McGraw and Joseph Durso
If at First
by Keith Hernandez and Mike Bryan
The New York Mets: Twenty-Five Years of
Baseball Magic by Jack Lang and
Peter Simon
The Complete Year by Year NY Mets Fan’s
Almanac by Duncan Bock and John
Jordan
The Worst Team Money Could Buy
by Bob Klapisch and John Harper
The Bad Guys Won
by Jeff Pearlman
The Ticket Out
by Michael Sokolove
Pedro, Carlos, and Omar
by Adam Rubin
Of what I’ve read since then, and I admit I
haven’t read everything, I want to add one book I’ve already reviewed,
Mets Fan by Dana Brand; one I
worked on, Mets by the Numbers—and I include it here because of the
groundbreaking work by my partner and
mbtn.net founder,
Jon Springer, not my modest additions; and at #13, the Edgardo Alfonzo
of the field—smart, classy, and coming through when you need it most—is
the definitive book of the Mets experience: fan’s view, history, and how
the fortunes of an often second-rate team can affect a person’s life in
ways that the casual fan could not imagine.
Greg Prince is the grand poobah of the
Mets blogosphere. And the Mets blogosphere isn’t restricted to five guys
typing away in cramped rooms next to piles of Mets yearbooks four feet
high. It’s more like 595 guys typing away in cramped rooms next to piles
of Mets yearbooks four feet high…but I digress. To me when I read
something that Prince has written on Faith and Fear the blog with Jason
Fry (who writes a nice foreword—and the afterword is a riveting
discussion with Gary Cohen, the field marshal of Mets fans made good),
I’m better than 99 percent sure that any history included is correct and
perfectly accurate. I feel the same way when I look up something in the
indispensible Jack Lang’s The New York Mets: Twenty-Five Years of
Baseball Magic. Lang knew everything that happened to the Mets
through the ’85 season; Prince has got everything since (and he knows
plenty about the Mets before Bobby O., too). I grew up reading Lang in
the Daily News and he spoke directly to me between the lines of
type in the paper after the Seaver trade—don’t give up…do you know how
great this will feel when they finally win it? He was right. Eventually.
Prince does the same speaking in Mets
tongues to the disillusioned who have stared vacantly at the dingy Shea
concrete in disbelief after an unfathomable loss at the worst possible
time. Price does it without the veneer of objective newspaper reporter,
one required to say, “I don’t care who wins the game” if he is ever
captured by the enemy or questioned by a commoner. Lang, God rest his
soul, might have said that tired old line, but I don’t think he meant
it. Prince wouldn’t dare say that. This book is proof, as if any were
needed. Prince loves the Mets more and expresses his feelings on them
better than anyone I’ve ever encountered.
He spares nothing, from personal tragedy and how
it relates to the public tragedy we’ve all experienced as Mets fans. The
only negative is that this book wasn’t in print form to be handed out to
every person who left Shea for the last time on September 28, 2008. This
is even more poignant as we embark on a new life at a new park and try
to change our spots. I miss Shea—the bathrooms? no, the concept of a
place where people of all classes, backgrounds, and walks of life
getting together with a common interest without having to sell a kidney
to pay for it—but Prince misses the old gal far more. He is uber fan and
everyfan. I’m a reformed (fingers crossed)
superstitious Mets fan who’s worn glasses since Claudell Washington was
in right field and even I never wore a lucky pair of old glasses to
watch a crucial game. (Though I did misplace my glasses before Game 2 of
the 2000 NLCS and watched the game on TV with 1980s frames so big I
thought they were a spare pair of
Elton’s from his Crocodile Rock days.)
This book is your Mets affirmation. You
have not wasted your life following a franchise that could screw up a
three-car funeral—because they certainly have screwed the pooch in terms
of getting a third championship ring fitted—and has no sense or seeming
interest in its own history. But Greg Prince picks up the slack for
those paid to get it right yet don’t get it all. And whether you know
Prince or just read this book—which, by God, you should—you’ll be a
better man and fan for it. And I say man because it rhymes with fan and
it enables me to end this with the words:
“Bring your kiddies, bring your wife,
Guaranteed to have the time of your life.”
And you will when you read this book. Now
come on, the game’s starting!
Non-Mets book recommendation:
A Sunday doubleheader. My copy of Faith and Fear arrived the day
after I finished the second volume of Jeff Shaara’s twin works on the
American Revolution as retold by the main participants, Rise to Rebellion and The Glorious Cause. People
think of the Revolutionary War as something that happened so long ago as
to be of no practical value today—Bunker Hill, Crossing the Delaware,
Valley Forge, Yorktown, yada, yada, yada. If not for George Washington,
we’d all be sitting here typing away about cricket with a cup of tea at
one’s elbow and saying of events like the ending of the 2008 season,
“Tough finish that.” Washington galvanized a bunch of rag-tag farmers
turned soldiers that numbered about as many people as you’d find at Shea
Stadium for a game in 1978—in
September--and defeated the most feared professional army and
navy in the world (plus all those Hessians). Shaara is a master at these
books, taking up his father’s pen and carrying it like a flag in battle.
The men he writes about gave us the world we have today and neither
those liberties nor the sacrifices made to secure it should ever be
forgotten. I had the rare pleasure last year of being at a one-sided win
at Shea where the conversation freely flowed from the state of the Mets
to the state of the country in the 1770s, spurred by the terrific John Adams mini-series on HBO at the time. It was quite
fitting that the company was what I would call three of the founding
father of Mets blogging: Prince,
Jason Fry, and Jon Springer—the Washington,
Nathanael Greene, and
Daniel Morgan of Mets blogging. If you don’t know why all
those names are important, commence reading.
Mets relevance: The Continentals
were the original American underdog. Ya Gotta Believe…and Don’t Tread on
Me, either. Imagine Tug McGraw in a
three-cornered hat.
Remember when you’d hold the Mets schedule
in your hand for the first time, back before the internet, when you
actually had to find someplace that had the full sked, be it a
newspaper, magazine, scorecard, or yearbook? If you’re going back with
me far enough, you’d see at least one Sunday per month—more in the
summer, plus holidays like the Fouth of July—with
two dots next to it. That could only mean one thing:
Doubleheader. Not because of a rainout. Not the let’s-incovenience-everyone-and-make
the-managers-feel-like-they-have-the-weight-of-the-world-on-their-shoulders-with-a-godforesaken-split-admission-doubleheader.
No, an old-fashioned, two-for-one twinbill that was printed on the
schedule and was sometimes completed in its entirety in the span that it
now takes to clean up the stadium from the tiny day-game crowd that
easily could have fit in the ballpark with the second-game crowd, if
they’d just had a two-for-one twinbill. That’s an around the barn way of
saying I’m looking at two books with this review of Mets tomes turned
out since 2007. Both book below are about the stadium that’s now in the
big parking lot in the sky—and in our hearts.
Because when you have a doubleheader, you want to
win a first game and this gives you your best chance. I wasn’t aware of
this publication during those tumultous final weeks of Shea, but I came
across this at the Hall of Fame at the end of October. At $19.95 for 72
pages, it’s a book about Shea with a Citi Field price—and, truth be
told, if you’re going to buy one magazine-esque Mets periodical this
year, make it the 128-page, $12.99 Maple Street
Press 2009 Mets Annual. But I will say this, Shea
1964-2008 is well written and almost mistake free. I just came
across it again last night and Charlie Vascellaro’s piece about the Sign
Man, in one of Karl Ehrhardt’s last interviews before his death, is
amazin’ly great. Len Klatt’s “Saturday Plan” on tracing the team’s
history through countless Saturdays at Shea, Bob Herzog’s “All Baseball
All the Time” about the very busy 1975 season, and Adam Gold’s
self-explanatory “Goodbye, Shea” are all gems. That doesn’t even mention
the work of heavy hitters like Lee Lowenfish, Thom Lovero, John Delcos,
and recently-retired Newsday columnist and 1969 beatman Steve
Jacobson, plus Bob Heck, John Rowe, Michael Yockel, David Ginsburg, Mike
Lurie, and David Sandora. (If they want a more ringing endorsement,
maybe they should have called me to contribute something! But when you
do your own blog, doesn’t it always come back to yourself?)
Though Shea is gone forever, you can still
find this worthwhile publication on the Baltimore company’s site (and
don’t confuse it with some of the pictorial mags on Shea that were
slapped together). Adding this to “your baseball library” for $20—and
you can now get two for one now—is good advice for you Shea-o-files out
there.
You may have seen Arcadia books at museum shops
and local stores throughout this great country of ours, with pictorial
histories of cities, towns, and places, brimming with sepia-toned
photographs and fact-filled captions about life gone by. Arcadia also
has books on baseball in cities such as Richmond and Atlanta, plus even
a couple of books on the Yankees past that don’t include the annoying
octives of John Sterling making every game sound as important as Bunker
Hill. So thanks to Jason D. Antos for giving us the sepia-toned Shea
images of both great moments (the celebrations of rare championship
moments) and forgotten ones (Kingman’s Korner). I’ve been doing a lot of
research on Mets photographs myself and it ain’t easy coming up with
shots that don’t cost hundreds of dollars and fill the Corbis coffers;
Antos did his work well in photo selection and acquisition and also in
documenting the essential history of the area and the team. In an
interview with Barry Wittenstein of SNY the author says he’s never been to one of the new
ballparks. He and we will see soon enough how much of an amalgum Citi
Field is of the new-old ballpark fad that peaked a decade ago.
I would complain about Joe Torre being on
the cover—Bill Shea is handing him the annual funereal wreath that makes
it look like someone just died—but with the empty stands behind him on
Opening Day 1978, that really is more symbolic of what Shea was about
than a shot of an infrequent celebration. For several years each decade
(2002-04 so far for this one), Shea slid into an abyss of horrible
baseball that tested the already Job-like patience of its true fan base.
Shea was a series of quiet, forgotten moments that meant something to
those who were there. The loud, raucous celebrations were fleeting and
far too few. Shea was about character. Anyone could play in a new palace
where the food didn’t turn your stomach or your wallet inside out; you
endured Shea because you loved baseball, it’s what you knew, and it’s
where your people were. These images now go to the background, to
history books, but Shea Stadium: Images of Baseball gives us the
whole story, from an ash heap a century ago to a year before it returned
to an ash heap once more. Before I can go in the new stadium, I need to
stand where Shea stood. Pay my respects. Life and the game goes on, but
always remember where you came from.
Non-Mets book recommendation:
You’d think that for a doubleheader review, there’d be two book
recommendations. Nothing that simple. The brief and beautiful Pastures of Heaven tells a dozen short tales of the
transformation of a fertile valley and its people over time. A couple of
years ago I came across this John Steinbeck book at the late Nobel
Prize-winning author’s
superb museum in Salinas, California. I wasn’t familiar with
this early title of his, though I had read much of Steinbeck’s work—I do
not say this to make myself sound smart (because that would be a false
impression); there are certain writers you just connect with no matter
when they wrote or what they wrote about.
Mets relevance:
The name Pastures of Heaven turns one’s thoughts to a higher
purpose and reflection about things past and what might have been. I
came across this short passage from the newlywed bride to her groom as
they stop to admire the pastures in fading light in the final pages of
the final chapter—it reminds me of those who say to look forward when
I’d rather look back: “There’s ambition to think of, and all our friends
expect things of us. There’s your name to make so I can be proud of you.
You can’t run away from your responsibility and cover your head in a
place like this. But it would be nice.” And both smiles softened and
remained in their eyes.
As a college freshman, I had the good fortune of
reviewing movies for the school paper. My roommate and I cobbled
together the fabled “Matt and Drew’s Reviews” that are now almost as
cringe-inducing to read as was the name of the paper we wrote for:
The Brackety-Ack. But it was fun at the time for a couple
of first-year students. That summer I wrote short book reviews among
other pencil-sharpening tasks as a summer fill-in at a newspaper
distributed internationally. The reviews they assigned me were for books
no “real” reporter would read and were of such low significance that
they would sit on the board with other nonpertinent items waiting to
find their way into print only when a column of type came up a little
short and a filler was needed. In the quarter century since then, my
reviewing skills have languished. I’m back. If only I could also bring
with me lost youth and the Mets renaissance that inadvertently came
along in my glorious summer as a reviewer: 1984.
The first Mets-themed review of books published
since 2007 is
Mets Fan by Dana Brand (McFarland & Co., 2007)—216 pages
This series of essays on all things Mets from the
mind of Hofstra professor Dana Brand is an enlightening read. This book
came out after the 2006 season, when the worst Mets fans thought could
happen was losing in seven games to an underestimated foe. Those, my
friend, were the days.
The author, someone I’ve gotten to know since
reading his book, has deep feelings on everything involved with the club
from its formation to the present—or at least until Carlos Beltran went
down a lookin’. I wish I could express my feelings on the team as well
or with as much conviction as Professor Brand.
Dana also displayed the power of an author reading
his own nonfiction work. He read at the 2008 SABR meeting in New York
about Shea Stadium—an essay I’d read myself a few days before—and it not
only sounded new, it sounded like poetry. Of course, he’s been reading
poetry to college students for many years, but it was worth my schlep to
the city just to hear it. I would certainly get the book on tape as read
by the author, but I don’t know if that’s forthcoming. Perhaps his
upcoming book on the last year at Shea will come bundled with
a CD of the author reading his prose. No matter who’s doing the reading,
if you’ve missed it somewhere along the way, Mets Fan at the very
least is as an expert’s affirmation of the oft-tested Mets faith.
Non-Mets book recommendation: With an
English professor as a lead-in, what better book to begin with than the
novel that made me first think about writing: F. Scott Fitzgerald’s
The Great Gatsby.
Mets relevance: First of all, the characters
shuttle between New York and Long Island, constantly passing the massive
and symbolic ash heaps in the location that will one day become Shea
Stadium. My too-close attachment to Shea perhaps harkens from the
namesake of my favorite book, latching on to a past re-imagined as
idyllic and placed on a pedestal only to await inevitable destruction.
Deep? Yes. And without doubt worth a second, third, fourth, or annual
reading.
I told the filmmakers this, I
told the people in the audience this, and now, lucky you, gets to hear
this again: Mathematically Alive is better than anything on SNY,
except for the 1969 World Series rebroadcasts. That’s not a knock on SNY,
because it’s my favorite network and they have a lot of good
programming, but Mathematically Alive is an engaging film that
takes the audience on a ride of events in 2006 that they know the
outcome of, and the viewer still clings to hope that on the big screen,
Beltran will—let’s pretend—hit a check-swing doinker over first base
that drives in two runs and then “Ronnie Belliard overruns the ball…and
here comes Anderson Hernandez…with the winning run. The Mets win! The
Mets win the pennant!” But that’s Hollywood. This film is made in
Flushing, where fans are toughened like steel in purifying fire. They go
in cold, are exposed to the white heat, and are then deposited in a pile
with the others. Yet the Mets fans and their hearts of steel maintain
hope through the hottest flame. That’s what creates the pathos. Pathos
aplenty.
When the film begins, I’m
thinking, “Hey, why didn’t they ask me to be in this thing? I was there
in the 1970s. I was at Shea for Dykstra’s home run. I’ve been to each of
their last 21 postseason games. I’ve walked into Flushing Bay in a Mets
T-shirt (and shorts).” After about 15 minutes, it’s clear that I am not
worthy. The fans portrayed in Mathematically Alive have truly
suffered for their art. No sacrifice is too much for the team, in their
eyes. Hope is never extinguished until the very last out. I live two
hours from Shea and even I am home before the guy with the Metsmobile
starts heading back to that garage in the enemy territory of the Bronx.
If I previously thought of myself as an officer in some Mets army, the
four-star generals portrayed in this Mets fighting force could bust me
down to buck private. And that guy from Rockville Center with Mr. Met’s
number on his cell phone, he should be activities director in the Mets
navy.
The Oscars have been handed out
and No Country for Old Men won (I didn’t see that film, but it
sounds like it was about the 2007 Mets). Mathematically Alive
filmmakers Joseph Coburn and Katherine Fornojy were jobbed by the
Academy. As the fans in the film clearly say through their every action
and word—with rational explanation of their behavior by a sports
psychologist from Murray State—the Mets fan lives to see another day.
For their sake, and all our sakes, let us all see that day together and
make Hollywood and Flushing merge.
After Effects: I was part
of a distinguished panel at the Albany screening—distinguished except
for me—that included Joe and Kathy, Steve Keane of kranepoolsociety.com,
and Mike Silva of Gotham Baseball. And the place was packed. When I
moved to the 845 area code in 2000, I didn’t think there were 100 Mets
fans within 100 miles of me. It was Yankees this, Yankees that, Yankees
on page 1, other baseball coverage (including two paragraphs on the
Mets) on page 4. As Howie Rose likes to say at moments of great change:
“The worm has turned.” Pockets of resistance are forming all over
upstate: Albany, Delmar, Saugerties, Marbletown, Newburgh. This event
was full of life and hope and fun. And people bought books! All this
with the MAAC basketball tournament going on simultaneously across town
at what was once the coolest-named East Coast arena—the Knickerbocker
(for Rip Van Winkle’s buds, not for that boring, whiny, terrible pro
hoops team)—that maybe drew a few hundred more than the Linda.
Party: There was an
after party at Valentine’s Bar at 17 New Scotland Avenue
http://www.valentinesalbany.com/
, which should be noted as a safe haven for Mets fans. Yankees fans and
their often annoying apparel are actively discouraged. There were tons
of Mets caps there, including many worn by people who hadn’t even been
at the screening. The feature attraction in the multi-band night was
Grainbelt, proprietor Howe Glassman’s band (I had to buy a CD
http://cdbaby.com/cd/grainbelt
for a band that’s on the Kranepool record label). To top it off, there
was Schaefer beer in a can for $2.50 and Red Dawn
http://www.imdb.com/title/tt0087985/plotsummaryon the TV above the bar acting as a 1980s video to Grainbelt’s
Cracker-esque sound. I’d been looking forward to this night for months.
To explain, I’m married with two young kids in a fighting-to-stay-rural
area and I’ve been accruing quality points at home for a few months in
anticipation of the season (redemption starts Monday when I do my next
signing at the Mets-Red Sox game at Port St. Lucie!) But this whole
schmeer in Albany exceeded all expectations. Rock on, Joe, Kathy, Linda,
Valentine’s, Grainbelt, and Albany. Rock on, Mets.